A Quote by Johnny Depp
I always felt that if you're not trying something different each time out of the gate, you're being safe, and you don't ever want to find that place of safety. I like that, each time, before I even go in front of the cameras, the studio's reaction will be fear.
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Shakespeare is renewed each time you see it or read it. I've seen 'Midsummer Night's Dream' so many times, and each time it's a little different, or a different line leaps out at me. It's like re-reading a good book over and over, always noticing something you hadn't seen the time before - and that's rare.
Each day I record I'm always doing something different that I've never done. So I feel like I'm a new artist every time I go to the studio.
Before one goes through the gate one may not be aware there is a gate One may think there is a gate to go through and look a long time for it without finding it One may find it and it may not open If it opens one may be through it As one goes through it one sees that the gate one went through was the self that went through it no one went through a gate there was no gate to go through no one ever found a gate no one ever realized there was never a gate
We can’t save ourselves from fear by seeking safety, because safety always means there’s something to be safe from-in other words, something to fear. The way out of fear isn’t safety. It’s freedom.
When I go in the studio, I put myself into a place where I'm feeling something I want to portray, which is often being sad, lonely. But as soon as I'm starting to make something, it's when I'm the happiest. Ever. I think that comes out at the same time, so there's that juxtaposition.
Do you want to improve the world? I don't think it can be done. The world is sacred. It can't be improved. If you tamper with it, you'll ruin it. If you treat it like an object, you'll lose it. There is a time for being ahead, a time for being behind; a time for being in motion, a time for being at rest; a time for being vigorous, a time for being exhausted; a time for being safe, a time for being in danger. The Master sees things as they are, without trying to control them. She lets them go their own way, and resides at the center of the circle.
Learning to be your natural self in front of five cameras and a silent studio takes time. Trying to be funny under duress is probably a lot like trying to play golf relaxed under pressure.
This great circle of sisters will be a protection for each of you and for your families. The Relief Society might be likened to a refuge- the place of safety and protection- the sanctuary of ancient times. You will be safe within it. It encircles each sister like a protecting wall.
One nice thing about being a woman in Hollywood is that the women tend to be very close-knit. All of us writers and directors know each other and cling to each other for safety and support, and it's really a completely different vibe than the men experience out here, where they're all trying to murder each other.
Sometimes for a lot of new artists, they don't have a vision, really, or know what they want to say; it's kind of drawn out for them. But me, because I'm such a transcendental thinker, it's always like a journey and an adventure with each project. It's like going through a different doorway each time.
I'm very conscious of the idea of trying to each time present something that I haven't presented before. It's a challenge to me to find something new, to find something innovative, but it's also very exciting.
I usually find myself hiking in a place that not a lot of people go hiking, just trying to find some solitude. I like being out in the middle of nowhere. Not always, but it's a good place to go to just reflect and think, and it's something I really enjoy.
Each person with his or her history of being accepted or rejected, with his or her past history of inner pain and difficulties in relationships, is different. But in each one there is a yearning for communion and belonging, but at the same time a fear of it. Love is what we most want, yet it is what we fear the most.
Every single painting is different. I'm always trying to figure out what I'm interested in. Usually when I go through and I make the collages or the images for ideas that I want to paint, it's like an Ouija board. Each painting I do is trying to understand what the hell I'm looking at, or want to look at.
Each time I think there is no place lower to go, I find that there is at least one place that will mess you up worse than you were.
Sometimes I go out disguised, but people still recognize me, so I find there is no point in even trying. It would be nice to get away from it, from time to time, but the fact is, there is no place on earth where I can go unrecognized.
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