A Quote by Johnny Depp
There were so many great teachers that had so much to offer. The idea of being rigid, why would you do that? People have their things, but why be rigid with any education when you can take things from here and take things from there?
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I don't know why we, in the art world, cannot unpack things and sort of make hybrid notions of a practice. We're very rigid. It's funny, though; in music, we have no problem sampling, mixing and remixing. But in the art world, why can't we take little parts of history and mix it together?
Life is boring. People are vengeful. Good things always end. We do so many things and we don’t know why, and if we do find out why, it’s decades later and knowing why doesn’t matter any more.
What I had heard about TV is that it's very rigid - that you have to hit your mark, look a certain way, do certain things, that there is no freedom artistically - and that's my worst nightmare. I don't work well in rigid environments.
Let's call something a rigid designator if in every possible world it designates the same object, a non-rigid or accidental designator if that is not the case. Of course we don't require that the objects exist in all possible worlds.... When we think of a property as essential to an object we usually mean that it is true of that object in any case where it would have existed. A rigid designator of a necessary existent can be called strongly rigid.
We've had to deal with so many complications. We're still dealing with them. And what can we do? Nothing - well, unless we take your side's point of view and make deals with the devil. But why? Why can't we make deals with God? People do all the time. 'God, if you do this for me, I promise to be good.' Stuff like that. Yeah, but I don't see any contracts like you guys have. No hard evidence that it works. How come we can only get things we want by being bad? Why can't we get them by being good?
Indeed, compulsive and rigid moralism arises in given persons precisely as the result of a lack of sense of being. Rigid moralism is a compensatory mechanism by which the individual persuades himself to take over the external sanctions because he has no fundamental assurance that his own choices have any sanction of their own
In the final exam in the Chaucer course we were asked why he used certain verbal devices, certain adjectives, why he had certain characters behave in certain ways. And I wrote, 'I don't think Chaucer had any idea why he did any of these things. That isn't the way people write.' I believe this as strongly now as I did then. Most of what is best in writing isn't done deliberately.
But in life you have to take lots of decisions and if you don't take decisions you would never do anything because you would spend all your time choosing between things you could do. So it is good to have a reason why you hate some things and you like others.
Our education system teaches the young what to think, not how to think. And if you ever wonder why so many things don't work properly any more, or why you can't get any sense out of so many organisations, this is one of the main reasons.
When you have so many things, and you have no idea why, you think, 'Maybe I'm supposed to do things for other people.'
If I had to give my younger self some advice, I think it would be that you have to laugh at things-things that scare you, things that intimidate you, things that hurt you, When you're humiliated, when you're rejected, you have to be able to take these bad experiences you have and turn them into a great dinner party joke.
There are plenty of things I wish I'd known when I decided to quit my position at IBM and work on the idea that later became TaskRabbit. Maybe that's why one of the things I cherish most about being a founder and CEO is the opportunity to offer advice to new entrepreneurs.
Auschwitz was one of the wealthiest places in the world. Everyone who was deported there had been in such a hurry that they were only able to take along the things they loved the most. Well, of course, a musician would take along her instrument. But then they would take these precious possessions away from the prisoners once they arrived. All these things were kept in a part of the camp the prisoners called "Canada." It was like a giant warehouse.
Imagination doesn’t just mean making things up. It means thinking things through, solving them, or hoping to do so, and being just distant enough to be able to laugh at things that are normally painful. Head teachers would call this escapism, but they would be entirely wrong. I would call fantasy the most serious, and the most useful, branch of writing there is. And this is why I don’t, and never would, write Real Books.
When you're in a start-up, the first ten people will determine whether the company succeeds or not. Each is 10 percent of the company. So why wouldn't you take as much time as necessary to find all the A players? If three were not so great, why would you want a company where 30 percent of your people are not so great? A small company depends on great people much more than a big company does.
I have been primarily interested in how and why ordinary people do unusual things, things that seem alien to their natures. Why do good people sometimes act evil? Why do smart people sometimes do dumb or irrational things?
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