A Quote by Johnny Depp

One thing that's been a great, uplifting experience through all this is, since the first "Pirates" [movie], the people who've gone to see the films, the audience members. You meet people on the street - whether they're 5, 25, 65 or 85 - they've all had the same experience, and they've all enjoyed it. So that's what keeps me moving forward in this crazy process.
My favorite thing is watching people watch The Hollars movie and then come up to me and say whether they went through an experience like that or they went through an experience nothing like that, but it still was their mom or "that was my brother" or whatever it was - that's great.
It's a privilege to be able to be involved with people as talented as the people I've had the luck to work with, and it's just been a great experience for me, and I'm glad that so many of the films I've had the luck to do were films that could be enjoyed by families together.
It's kind of interesting to experience that kind of a ride after well, essentially so many years of enjoying a career based on failures and then suddenly something clicks. The weird thing is, I never changed a thing. The process is still the process as it ever was. The fact that people decided to go and see a movie that I was in was probably the most shocking thing that I've ever been through.
I don't feel qualified to comment on whether or not the internet has damaged collaboration and creativity. That is not my experience... my experience is that I have had access to meeting people online that I might otherwise not have met, gone on to meet them in real life and collaborated on fun projects.
That's what's great about the horror genre is that you're getting a load of people together in the cinema at the same place and the same time, having them all experience extreme fear and come out alive at the end. It's an uplifting experience, and there's a sense of elation.
We have little bits of comedy throughout our films but this is like a full-on comedy. I had great time. It was fun to do a comedy and see a lot of the people I worked with on our previous films and meet some new actors. It was a good experience for me.
Turkey was a great experience for me, both personally and professionally. I met some really good people and had an excellent time on and off the pitch. I thoroughly enjoyed it, and it was great to experience a new culture.
That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.
I think there's just a lot of compassion in art. Again, when you're doing something that resonates with somebody else, you're going through an experience another person has had, whether it's been a painful experience or a joyous experience or a happy experience.
While I do not think it was so intended I have always been of the opinion that this turned out to be much the best for me. I had no national experience. What I have ever been able to do has been the result of first learning how to do it. I am not gifted with intuition. I need not only hard work but experience to be ready to solve problems. The Presidents who have gone to Washington without first having held some national office have been at great disadvantage.
I don't think there's been many chances for people to see a black, gay, pop experience and that's what I want to have with my shows moving forward.
I have worked on Wall Street and on Bay Street. I started a charity and I've been doing it while raising four children. And I think that's the kind of experience people want to see from their political leaders. It's real life experience.
What people don't understand about making a film is sometimes your experience on the film shapes who you are. You're gone to another country for five months, maybe more, there's training leading up to it... It's a whole life experience that people don't see because they just see the final product wrapped up in a couple hours. You don't see everything that happens around it. I think it's hard to say one movie or one thing; I think they all shape who you are.
For me, learning about cinema and the craft and the art of it, through making films with great people, has been such a cool experience.
I wonder whether my bleak-o-meter is set differently from other people's. I have such passion for what I do that I can't see it as bleak. When people use that word, or “grim” or “gritty,” I just think, “Oh, come on, look a bit deeper.” My films don't give you an easy ride. I can see that. The sense I get is that people have quite a physical experience with them. They feel afterwards that they've really been through something.
I've had people ask me to come and work for them. I went to Vienna and did three scenes in a movie for a guy that I met at a retrospective of Cassavetes films. It's a great way to travel, to meet people, to see different countries and cultures.
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