A Quote by Johnny Depp
I Still Approach A Scene As One Would Approach A Guitar Solo. You Don't Exactly Know How You're Going To Phrase This Or That. Which I Think Is Beautiful. That Idea Of Chance.
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I still approach a scene as one would approach a solo. There's nothing set or pat.
It's just like they approach things on every movie I've worked on, very much as if it was a live-action movie. The character you're playing, even though he's a rooster and is really stupid, you approach it in the same way you would approach Hamlet, which is exactly how I approached it. But they give you the circumstances. "You're on the boat. You didn't expect to be here. You just climbed in a boat to maybe sleep. You don't even know why you climbed in the boat. You're really that dumb.
Their [Republicans] approach to a woman's body is the same as their approach to the economy: they have no idea how it works, but they're eager to screw with it anyway.
Remember, this is a binary choice. It's going to be the approach that Donald Trump takes or the approach that Hillary Clinton takes, not some other approach. And the Clinton approach is just a completely unacceptable one, it's an unlawful one.
Any time I approach a scene, it's not just what's on the page - it's how the camera's going to show or not show what's on the page. It's which character are we going to align with and what music is going to be playing.
I think there is a scientific approach to it and there is a political approach to it and an economical approach to it. All of this combined, we might find a solution.
I think as a director you have to make it your own. It'd be a mistake to approach a project with the idea of 'I'm going to do this the way I think somebody else would,' because then you'd never be clear on your idea.
I think the key that differentiates the good actors from the mediocre ones that are still trying to come up, is that the good ones know how to listen. It's like being in a jazz band. They know how to listen to what the other musicians are playing. And where to come in and where to sit out. That's my approach to being in an ensemble cast and working with any kind of actors in a scene.
I do feel that there are things you can learn from an artist, but I think you need to be very close to that person, and to know that person fairly well, in order to acquire anything from them. I do have a teacher myself, and I have learned quite a lot from my teacher, but it's not how to make a film. It's more how to approach my life as a director, how to approach and how to lie to a producer.
I think you have to be careful. You have to know exactly what is going to resonate with voters. And you can't get ahead of that. You have to be very careful with your approach.
When you go back and look at what people say about my essays, they're always going, 'What is this?' Because they're not exactly like other people's essays... The approach is not at all the recognized approach of a non-fiction writer. It's not linear. It isn't pyramidally based on fact.
I approach my work still like an athlete. I have to go to the gym and run or ride the bike and work up a sweat. I need to still get my body right, and, in turn, that will make my mind right. That's how I approach acting.
I had learned a little about writing from Soldier's Pay - how to approach language, words: not with seriousness so much as an essayist does, but with a kind of alert respect, as you approach dynamite; even with joy, as you approach women: perhaps with the same secretly unscrupulous intentions.
I would never dream of telling people how to dress. but I do say to them, however you are dressing, accept responsibility for it. And also, unless asked, I don't judge. And if asked to judge - I would approach it socratically, I would approach it with questions.
In Monster's Ball I went nude, which was scary, but I took the chance and that's how I like to approach my career.
I have never seen white people who would sit, who would, who would approach a solution to their own problems nonviolently or passively. It's only when they are so-called "fighting for the rights of Negroes" that they nonviolently, passively, and lovingly, you know, approach the situation.
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