A Quote by Johnny Depp
How many chances to you get to make a musical about a serial killer? The minute Tim Burton approached me, I was in.
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I actually did do a musical many years ago with John Waters called Cry-Baby, but technically it was only half me - it wasn't me singing. Tim's [ Burton] the only person brave enough to actually let me try to sing.
My first book was called 'Buried Dreams,' about a serial-killer, which was probably about ten years ahead of the serial-killer curve. It was a national bestseller, but it was three years of living in the sewer of this guy's mind.
What I really learned from Tim Burton is that it's important to have your own person in a role because you can't play a character unless there are elements of human behaviour that you yourself understand. I was really struck by how Tim Burton would like to sit and chat about you... or question things which then you had never thought about. It is a good thing to always step back a bit with things like that. But I try my damned hardest to learn something from everything I do.
There are not many A-list directors who get to make the movies they want to make. I know two: Woody Allen and Tim Burton. Two different textures, but both get to do what they want, and that's rare.
We also told her you weren't a serial killer," Brit interjected. Cam nodded. "That's a glowing recommendation. Hey, at least he's not a serial killer. I'm going to put that on my Facebook profile.
While we are being fascinated by the tales of famous serial killers and how they were brought to justice, the real serial killer goes about his business with hardly a thought to being caught.
It was Tim Burton's 'Batman' in, what, '89, I think? What we could see was there was someone behind the curtain controlling all of this, and you could see it from one Tim Burton film to the next, that the guy who made 'Edward Scissorhands' also made 'Batman.' You could connect the dots because his style was so distinct.
I think it's interesting that when you play a lesbian, people ask you if you're a lesbian, but if you play a serial killer, nobody asks you if you're a serial killer.
It's not important how many mistakes you make; it's about how many chances you create and how many goals you score. That is my philosophy.
One serial killer sends me a human head in a box, and I get all spooked; Go figure.
I don't like things about serial killers. There's so much serial killer information out there in documentaries constantly. A lot of it's just sort of gratuitous or it's almost like pornographic, really. There's no reason for it being shown.
Because the world of this film begins and ends in the imagination of Tim Burton, you're not seeing a movie that's been shot on locations that you've seen a million times. Because this world has no rules, you're seeing so many different and separate brushstrokes and colors and characterizations somehow getting combined through Tim.
I also remember when I watched Henry: Portrait of a Serial Killer [1990] at, like, age 15. That scared the crap out of me. Because it didn't operate inside the usual conventions of the horror genre in the way that I could accept. I can accept horny teenager counselors being murdered at camp. But I couldn't accept the derangement of Henry: Portrait of a Serial Killer, which was that anyone could be murdered at any moment - whole families, with no build-up music and no meaning. It terrified me.
It never ceases to amaze me that readers who are willing to suspend their disbelief when it comes to the motivation of a vicious serial killer get high and mighty because I have put a coffee shop where there isn't one. Er... it's a novel. I made one up. I'm allowed to make stuff up. I'd go as far as to suggest that I make stuff up for a living.
When I'm done with my last album, I want to make a movie with Tim Burton telling the story of all of the albums connected. That's my biggest dream.
Ever since the Tim Burton Batman of 1989, it has been de rigueur in movies to focus on the freaky alienation aspect of the superhero's life: This is how talented people make movies for 14-year-olds while retaining their self-respect.
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