A Quote by Johnny Depp

Wes Craven was the guy who gave me my start, from my perspective, for almost no reason in particular. — © Johnny Depp
Wes Craven was the guy who gave me my start, from my perspective, for almost no reason in particular.
Wes Craven is obviously a horror film icon so I was definitely very interested in bringing something back to life that Wes had created.
I got very lucky to work with Wes Craven, very early on in my career, and continued to work with Wes for almost 19 years. I learned so much from him, and about his sense of story and his sense of horror, and that was great to be a part of.
You know I never used to be a bad flyer, but I did start to have a fear of flying after I shot a movie where I was terrorized on a plane. I made Wes Craven's 'Red Eye'. I don't think they're linked but it does make me pause and wonder if they are, so perhaps I will explore that in therapy some day.
Wes Craven is a wonderful friend, and we had a really good time together.
A lot of my friends are people who do horror films: Wes Craven, John Carpenter, Stephen King.
I think if anybody had a roll of dice with a lot of money at stake, they would not want Wes Craven and a romantic comedy.
I always wanted to play a monster, and I also wanted to work with Wes Craven.
I had the time of my life playing Rose in Wes Craven's 'The Girl in the Photographs.' I became so close with the cast and crew, it was hard to leave after we wrapped.
Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
My mother gave me this book called Feature Films at Used Car Prices by a guy named Rick Schmidt. I gotta credit the guy, cuz he gave me the most practical advice. It empowers you.
I'm open to reading almost anything - fiction, nonfiction - as long as I know from the first sentence or two that this is a voice I want to listen to for a good long while. It has much to do with imagery and language, a particular perspective, the assured knowledge of the particular universe the writer has created.
Last Christmas, I got the worst gift a guy ever gave me. He gave me a lottery ticket... what's the guy even thinking there. Here you go... nothing! Merry Christmas! It's nothing!
It's great to be thought of as the master of anything. Even idiocy. Master of idiocy, Wes Craven. But if it's master of horror or fear or whatever, that's great.
It was seventh grade or something like that when we started falling in love with stuff like Sam Raimi and Wes Craven and John Carpenter. Also, our filmmaking skills were getting a little more polished, so we thought we could actually make something that was not funny.
I've worked for some amazing leaders, and I've worked for the opposite, and that gave me the perspective of what I knew I never wanted to be, and the perspective of what had lasting, sustainable impact.
I never played Freddy as real. In the true bible of Wes Craven's outline for the films, Freddy only manifests himself in dreams. And a lot goes into a dream, not the least of which is imagination. So Freddy is secondhand information. Freddy is an urban legend that's been handed down to these teenagers over the years.
This site uses cookies to ensure you get the best experience. More info...
Got it!