A Quote by Johnny Depp

I was a million percent in love with Edward Scissorhands. I remember looking in the mirror on the last day of shooting... and thinking how sad I was to be saying goodbye to Edward.
I tensed for the spring, my eyes squinting as I cringed away, and the sound of Edward's furious roar echoed distantly in the back of my head. His name burst through all the walls I'd built to contain it. Edward, Edward, Edward. I was going to die. It shouldn't matter if I thought of him now. Edward, I love you.
Seeing, say, 'My Left Foot,' and 'The Last of the Mohicans.' How is that the same person? Or people like Johnny Depp, who can play Jack Sparrow and Edward Scissorhands. I am so interested in the transformation, in not knowing anything about them and watching somebody create a character. I'm not really interested in personalities.
I'm heavily influenced by Edward Ardizzone, how he has people talking in little speech bubbles. I love those. And also Edward Gorey. Those are two of my favorite people.
The first record I bought was the 'Edward Scissorhands' soundtrack. I remember being really obsessed with the movie, and all the campiness sort of went over my head because I was so little - it's the same with 'Hairspray.' But I would listen to that soundtrack a lot.
Edward stretched out his arm, his hand curled into a fist. Seth grinned, revealing the long row of dagger teeth, and bumped his nose against Edward's hand. "Nice teamwork," Edward murmured.
Is the fire gone?" "Yes," I sighed. "Thank you, Edward." "I love you," he answered. "I know," I breathed, so tired. I heard my favorite sound in the world: Edward's quiet laugh, weak with relief.
Seeing John Major govern the country is like watching Edward Scissorhands try to make balloon animals.
I always reference 'Mad Max' when I think about what I want to wear. But it's a fine line between that and 'Edward Scissorhands'.
When I was 14, 15, 16, I was wearing 'Edward Scissorhands' and 'Nightmare before Christmas' stuff. I saw 'Sleepy Hollow' a dozen times.
"Dollhouse" was definitely inspired by the whole Edward Scissorhands vibe where all of the houses are perfect, but inside each home there are very messed up families.
I just blow-dry my hair and put on mascara and lip gloss, and I'm ready to go. I really don't get long nails. They're so Edward Scissorhands.
I'm from a little village in the south of Holland where there was nothing to do but watch American movies and television - I grew up with The 'A-Team,' 'Charlie's Angels,' and 'Edward Scissorhands.'
'Edward Scissorhands' was tough to let go of because I found real safety in allowing myself to be that open, that honest. To explore purity. It was a hard one to walk away from.
So, instead of panicking, I closed my eyes and spent the twenty minutes' drive with Edward. I imagined that I had stayed at the airport to meet Edward. I visualized how I would stand on my toes, the sooner to see his face. How quickly, how gracefully he would move through the crowds of people separating us. And then I would run to close those last few feet between us - reckless as always - and I would be in his marble arms, finally safe.
My mum was ill when I was originally making 'Edward Scissorhands' in 2005. I was virtually visiting her every night after rehearsals, and she never got to see it.
I can remember, after I started doing films, my mum began going to more arthouse films. She went to see 'Edward Scissorhands' and phoned me up and said: 'What was that all about? He had scissors on his hands.' Good question. I think she should review films on Channel 4.
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