A Quote by Johnny Flynn

I'm not really interested in myself in my writing. I can't see myself in the songs, even though I know different parts of me are there. — © Johnny Flynn
I'm not really interested in myself in my writing. I can't see myself in the songs, even though I know different parts of me are there.
I find myself really feeling like it's possible that maybe the greater contribution I'm going to be able to make through this next phase of my life might be as a writer writing wonderful parts for women, or even writing wonderful parts for myself, you know?
I'm considered wise, and sometimes I see myself as knowing. Most of the time, I see myself as wanting to know. And I see myself as a very interested person. I've never been bored in my life.
Don't you feel the same way? When I cannot see myself, even though I touch myself, I wonder if I really exist.
When I'm writing, I'm constantly thinking about myself, because it's the only experience I have to draw on. And I don't see an exact reflection of myself in every face in the audience, but I know that my songs have validity to them, and that's why the fans are there.
I guess I don't really measure myself by what others think. So even though I have gotten to work with some amazing directors, and you might perceive me to be that girl, that isn't how I see myself. So if one day nobody wants to work with me, it won't be this massive surprise.
Because I work quite slowly, I have to keep myself interested over a long research and writing period. So I can't see myself writing about modern middle-class Londoners anytime soon.
I have things that I'm interested in, and I'm not really interested in writing about anything that I'm not interested in. But it's important to me to be able to see it from a different perspective, and add something new to the whole picture.
I was never interested in looking at myself in an aesthetic mirror. My intention was always to get away from myself, though I knew perfectly well that I was using myself. Call it a little game between 'I' and 'me.'
I think what 'The Monster' means to me is I find it really hard - like a lot of other people in the world - to really be OK in my own skin. It was a message to myself saying, 'It's OK that you're not perfect.' I'm gonna learn to love myself and accept myself, even though I'm a little crazy.
Even when I don't think I'm writing, I'm writing. There's some part of my brain geared toward making songs up, and I know it's collecting things and I know when I get a moment to be by myself, that's when they come out.
My mother at a young age put me in bilingual, so my strength is really more in Spanish. Even though I live and I was born and raised in the States, you know, in the Bronx, in Spanish I get my point across. And when I'm writing music, when I'm doing music, it's easier for me, and I know exactly how to express myself.
My idea of making time for myself is writing songs. I never stop beating myself up about trying to be productive, so I don't really like to do a lot of things other than write in my journal and write songs.
If I can keep losing myself - and finding parts of myself - in other people's writing and direction, then that's all I can really ask for. That's all I want, to keep losing myself.
I like acting because I get to find different parts of myself, or at least create different parts that don't already exist, and see the world through someone else's eyes.
I would say I like expressing myself in different ways. The way I can express myself in songs is awesome. What you can express through acting is cool too. I just want to let it all out. I like them both for different reasons, though. Music has a freedom that acting doesn't really have, and acting presents a challenge that music necessarily doesn't.
Love, they say, enslaves and passion is a demon and many have been lost for love. I know this is true, but I know too that without love we grope the tunnels of our lives and never see the sun. When I fell in love it was as though I looked into a mirror for the first time and saw myself. I lifted my hand in bewilderment and felt my cheeks, my neck. This was me. And when I had looked at myself and grown accustomed to who I was, I was not afraid to hate parts of me because I wanted to be worthy of the mirror bearer.
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