A Quote by Johnny Flynn

As a jobbing actor or musician, you have to take any work you can get. — © Johnny Flynn
As a jobbing actor or musician, you have to take any work you can get.
Before 'Coronation Street,' I was a jobbing actor, and after it, I'm a jobbing actor again.
There's really no reason for any musician, writer, actor to ever take themselves seriously. If you work in a needle exchange, take yourself seriously. You're doing good work. If you're involved in hostage negotiations and saving lives, you can have a sense of entitlement.
I'm essentially a jobbing actor. If I'm out of work, I'll be the back end of a donkey.
You know obviously a big TV or film break would be lovely, but I find that I’m essentially a theatre trained actor and that’s what I love doing. I love fringe theatres in London, I love theatres like the Royal Court, Soho and the National obviously and if I could work in any of those and be a jobbing actor for a while then I’m very lucky.
It was inevitable at some point that I would bump into one of my father's plays. The reality of the situation is that I'm a jobbing actor, and any actor would give their eye-teeth to have one of those roles. It's a no-brainer! I'm pleased the stars have aligned around 'Arcadia.'
I have no problem having any actor from anywhere play a role. I'm excited for any actor that gets a job, I truly am. Even if it's a role that I'm up for and I don't get it, I never begrudge any actor having it work out for them.
It can be tough as a jobbing actor.
As a jobbing actor, you can't afford to be choosy; if you're typed, you're generally working. I still feel that way, and the thing is, even within the horror genre, I now get to play all kinds of different roles.
Playing the Opry, when I get the opportunity - it's one of the coolest honors for any musician in any genre, but especially for a country musician.
When I start a movie, I already feel like I'm in it. I'm not a jobbing actor anymore; most of the films I do, I'm involved with development. Some, I've taken from scratch, and worked so heavily on the script, I'm embodying a lot of the character by the time I even get close to filming, because I've asked so many of the questions that I do. There is nothing better than being able to ask all the questions, do all the work. It's when you let it go that you fly.
I think most cartoonists are solitary, lonely kids who use their work as a way to try to connect with the world. If I had any other skills that were more performative - if I could have been a musician or an actor - I'm sure I would have pursued that instead in order to get that instant feedback and to hear applause.
I would say take any work you can get. Don't pass on something if it's a commercial. Take it. Work really does lead to other work. Especially if you're just starting out, work begets work.
I don't know any musician who got to the top without hard work. Take whoever you want. They all work bloody hard, harder than you think.
There's something really natural to me about being what they call in the business a "hyphenate." Being a musician-actor or writer-musician-actor.
I'm very much a jobbing actor who's still trying to find a place to rent down the road.
Performing as a musician is a lot different than performing as an actor. As an actor, you can hide behind the character in the play, and there's a director and other actors. When you're a musician, you're right there. It's sort of like being a comedian. You're giving the audience in real time something authentic from yourself. As an actor, my bullshit meter was going off like crazy at my first attempts to find my own rock star.
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