A Quote by Johnny Flynn
I'm not a fan of taking too long in the studio. I always do one vocal take and jump out of the control room, and people push me back in... It's a real turn-off to hear things that are too polished. I feel like I've almost fought for the right to be that kind of musician - we used to be on a major label, and now we're on an indie.
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In many ways, I've chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don't like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible.
Cats are too independent. They piss me off. They play when they want, and then they turn their back on you. Dogs, you throw the ball, and they bring it back, tongue hanging out, tail wagging. Cats are like "Not right now, too busy." Definitely a dog man. Except when it comes to cleaning up after them! Cats win that!
I hear my heartbeat. I have been looking at him too long, but then, he has been looking back, and I feel like we are both trying to say something the other can't hear, though I could be imagining it. Too long - and now even longer, my heart even louder, his tranquil eyes swallowing me whole.
Of course you want to keep making good records, but I think there were certain aspects to the indie rock situation at that point where we were pushing the envelope a little bit too far. We weren't happy with the distribution we were getting, and a few other things. So for a lot of ways it made sense for us to jump to a major label right then, and it made sense in terms of challenging ourselves to put ourselves in new situations.
The main joy I have in owning or being a part of my own label is the platform I've created to really push other artists and this other kind of musical muscle I get to exercise, it's not just me as a creator of music but me as a curator. That's been really exciting and I do get to have the autonomy and control and all those things with my releases, but now I get to go and find artists that I really love and like and share them with the world too.
I was always told that I was too strange or that I was too cheesy by different groups of people, like the record companies said I was way too weird and the indie people wouldn't even let me in their band.
I've been on a major label for 14 years. I've always wanted as many people as possible to hear my music, and it definitely made sense for the majority of my career to be on a major label, on a distribution level, to be in people's faces and be out there, and have access to major labels' incredible machine, even though they have not understood or haven't been invested in what I was doing.
I feel like my life is so scattered right now. Like it's all the small pieces of paper and someone's turned on the fan. But, talking to you makes me feel like the fan's been turned off for a little bit. Like things could actually make sense. You completely unscatter me, and I appreciate that so much.
Black folks never bungie jump. That's too much like lynching for us. I'm gonna let you tie a rope around me and push me off a bridge? You must be out your damn mind.
We don't really know the ultimate outcome of our lives. All we can say is, "Fate has brought me thus far. This is where my life is right now, and I can either choose to stay here, or I can make a different turn that will take me somewhere else." I certainly am an advocate of taking a jump off the tallest mountain and just hoping a net appears. More often than not, when you take those leaps of faith, something really incredible happens. It might just take some time. You might take a long, hard journey, but the end of it is usually a great one, I find.
Sometimes you look at me and it's like all the bullshit gets stripped off and I'm left with what's underneath and I kind of like what I see. Someone who actually fails. Someone who has absolutely no self-control. Someone who says real dickhead things like 'this is complicated.' I like that part of me, you know. I like the fact that I know I can't control you or how I feel about you and that doesn't freak me out.
Too often, the opportunity knocks, but by the time you push back the chain, push back the bolt, unhook the two locks and shut off the burglar alarm, it's too late.
A label's typical plan would be to put something out that's safer and get fans, and then push buttons, but my idea is to push buttons first, scare off the people who are gonna be scared off, and then the right people will like you for who you really are, and stay with you.
I have always been accused of taking the things I love - football, of course, but also books and records - much too seriously, and I do feel a kind of anger when I hear a bad record, or when someone is lukewarm about a book that means a lot to me.
There's just a lot of really, really great male artists right now, and it's good, too. And there's so many different influences in country right now, too, like hip-hop and rock 'n' roll and some blues. So I feel like if you turn on country radio, you will find something you'll love because it's so diverse right now. And that's a great thing.
In a certain way, we felt almost like spies in the major label world. We were coming from some other world, and we somehow got our foot in the door and crept in and were prowling around, checking things out and taking back reports from the front.
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