A Quote by Johnny Gimble

I didn't really get crazy about Bob Wills until 1940. — © Johnny Gimble
I didn't really get crazy about Bob Wills until 1940.
Bob, would you be willing to take on Evil Bob?" Bob's eyes darted nervously. "I'd . . . prefer not to. I'd really, really prefer not to. You have no idea. That me was crazy. And buff. He worked out.
I'm from the Bob Wills and the Little Richard school of music. Bob Wills did what the hell he thought, Little Richard did what he thought, and those were my big influences.
I can't really say why everyone loves Bob Wills' music, but I have yet to meet a person who didn't like it.
If the song was upbeat, we'd get out a funky Harry Connick, Jr. album, some Louis Prima big band, or a Bob Wills swing record for inspiration and swing for the fence, hoping to get that 'soundtrack to your life' vibe. And if it was a slow song, we'd go the other way and really make it worshipful.
The crazy thing is a lot of people - a lot of men, if I'm just speaking for myself - don't really start thinking about the effect of hyper-masculinity and false definitions of what it means to be a man until you get married or until you have kids. Because then, all of sudden, you have something to protect.
The crazy thing is a lot of people - a lot of men, if I'm just speaking for myself - don't really start thinking about the effect of hyper-masculinity and false definitions of what it means to be a man until you get married or until you have kids. Because then all of sudden you have something to protect.
When you're down in Texas, Bob Wills is still the king.
Microsoft unleashed something called Bob, a program that's supposed to make Windows easier to use. Until a Bob helper is born, you can look forward to reading - I swear this is true - Microsoft Bob for Dummies.
I think I've never left my house to take a plane without writing my will. There must be about 30 wills in my drawers, everywhere, in the kitchen. Everywhere, I have wills because I write wills more easily than I write love letters.
Bob Wills and the Texas Playboys are simply the best band that ever was.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
It was Napoleon who said if you want to understand a man, look at the world as it was when he was 20. When the Queen and the Duke were in their early 20s, it's around 1940. Their values are the values of Britain in 1940; all that is best of Britain in 1940 is exemplified by the Duke.
I've always associated consciousness with artists like Bob Marley or Joni Mitchell or Bob Dylan. You know, artists that really talked about what was going on in the world and really artists that are timeless.
I'm a huge Bob Hope fan, up until about the late '50s. I've seen so many of his movies up until then, and they're a big influence on me and a big influence on Woody Allen, who is basically just ripping off Bob Hope for his first five or six movies.
My character on 'The Crazy Ones' is entirely different than Bob Benson. If these guys ran into each other at a bar, I don't think they'd have much to talk about. They're really different guys.
To be honest, I wasn't crazy about the kind of poetry I found in high school English books. I didn't get really excited about poetry until I discovered Lorca in college. If it wasn't for surrealism, I'm not sure I'd have become so involved in poetry. I was attracted by the extravagant imagery and elements of fantasy. This was in the '70s and it seemed to fit the psychedelic mood of the times. I found it liberating.
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