A Quote by Johnny Knoxville

I'm not looking to lose anything. I'm looking to continue making movies. — © Johnny Knoxville
I'm not looking to lose anything. I'm looking to continue making movies.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
Asset management CEOs globally are looking at their business models. They're looking at costs, they're looking at making their businesses more efficient, because they're seeing revenues under pressure all over the world.
You don't cover the federal government or policy-making or legislating, or you shouldn't, I should say, because you are looking for a scandal or you're looking for a personality-driven story, or you're looking for stories about people's love lives. That's not really what we do here.
I certainly was not the romantic lead. I couldn't be that, because I was not that good looking. And that is something about Hollywood that I do not like at all. Why can't a woman who is just normally good looking fall in love? I mean, everybody in the movies is so good looking.
It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
We're looking to identify funds if we can. We're also looking at other resources to assist the government in making this a reality, ... At this point, we don't have a particular source of funding for that but we're still looking if we could help in finding another way to assist.
In my work, we're not looking at an icon, we're not looking at a sign, we're not looking at a representation. We're looking at something. I do have this feeling of trust that people can read it for themselves.
Tech is not looking for inclusion per se, but they're looking for assimilation. They're looking for Blacks and Latinos and women, but they are looking for these groups as versions of themselves.
Most people stop looking when they find the proverbial needle in the haystack. I would continue looking to see if there were other needles.
You shouldn't be looking for the secret to making people follow fads, you should be looking for the secret to making them think for themselves. Because that's what science is all about.
I make movies on gritty topics like crime, the underworld, and horror. I don't make movies with good-looking people in good-looking locales.
Studio movies are looking more like independent movies and independent movies are looking more like studio movies, and I think cinema is better now because of it.
I'm always looking at the ball and making sure it goes in. I'm not looking at where I'm at or what level I'm at in height.
After making several tragic movies in a row, I was looking to do a comedy, and one without cynicism.
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