A Quote by Johnny Lever
Standup is like shorthand. Every bit must be both brief and profound or the audience will lose interest.
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Every lecture should state one main point and repeat it over and over, like a theme with variations. An audience is like a herd of cows, moving slowly in the direction they are being driven towards. If we make one point, we have a good chance that the audience will take the right direction; if we make several points, then the cows will scatter all over the field. The audience will lose interest and everyone will go back to the thoughts they interrupted in order to come to our lecture.
If a movie has more characters than an audience can keep track of, the audience will get confused and lose interest in the story.
In standup, you must be able to hypnotize the audience.
I think you have to do the stories that interest you and hope an audience likes it, rather than doing stories that you think the audience will like, whether you like them or not. I think there has to be something that you find compelling and interesting, and then hopefully an audience will agree with you.
I continue to do standup because there's a connection with a live audience - there are skills that you do learn as a standup comedian that help you on a set.
When both a speaker and an audience are confused, the speech is profound.
I always want my standup act to appeal to everybody in the room, and when I started standup, and I would see people talk about their kids and their wife, and I'd always cringe a little bit, like, 'I can't get a date, I don't know what you're talking about.'
Within every man and woman a secret is hidden, and as a photographer it is my task to reveal it if I can. The revelation, if it comes at all, will come in a small fraction of a second with an unconscious gesture, a gleam of the eye, a brief lifting of the mask that all humans wear to conceal their innermost selves from the world. In that fleeting interval of opportunity the photographer must act or lose his prize.
Obviously, there has to be a profound change in direction. Otherwise, interest on the national debt will start eating up virtually every penny that we have.
I will be brief. Not nearly so brief as Salvador Dali, who gave the world's shortest speech. He said I will be so brief I have already finished, and he sat down.
We lose money on signing up the customers where there's some marketing costs associated with giving them a free month. It doesn't much matter whether you make a little bit or lose a little bit.. as you well know, because you lose a ton on every copy of The Washington Post (newspaper).
When Adam Smith was being incomprehensible, he didn't have the luxury of brief, snappy technical terms as a shorthand for incoherence.
A playwright must be his own audience. A novelist may lose his readers for a few pages; a playwright never dares lose his audience for a minute.
On one level, I must never lose touch with my audience. But I must, at some point, stop trying to get everybody to like me, and be true to the thing I think I need to say.
Genre is a really great shorthand you can have with an audience. In the same way you can use music to create a connection with an audience, it brings so much of their knowledge of what genre really is to the table. You have a shortcut to connect with them. I really like that.
When we are mindful of every nuance of our natural world, we finally get the picture: that we are only given one dazzling moment of life here on Earth, and we must stand before that reality both humbled and elevated, subject to every law of our universe and grateful for our brief but intrinsic participation with it.
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