A Quote by Johnny Lever

I want to make the kind of films that Charlie Chaplin did. — © Johnny Lever
I want to make the kind of films that Charlie Chaplin did.
My idol growing up was Charlie Chaplin. I was obsessed with him. I mean, while other kids were watching Jim Carrey and the likes in the '90s, I was watching Charlie Chaplin films, because I was a bit of a geek. I became obsessed with this idea of physical comedy.
I don't think the physical resemblance is as important as capturing the soul of the person that the actor is portraying. How much like Charlie Chaplin did Robert Downey Jr. look in 'Chaplin?' Did Meryl Steep actually resemble Nora Ephron in 'Heartburn?'
I thought if I could do stand-up comedy well enough, I could parlay it back into films - like Charlie Chaplin and Woody Allen did. They merged principles of comedy and drama together, and that's what my first film really was, a stab at that kind of comedy.
I can consciously say I like squashing things because I saw 'Tom and Jerry' films or Charlie Chaplin in 'Modern Times.' That's true.
I think it's amusing to watch a naive, well-meaning character kind of undo more cynical characters - kind of like watching Laurel and Hardy or Charlie Chaplin.
I could never be Charlie Chaplin. But the films that were made by people like him, or Gene Wilder, or John Candy, the people that inspired me so much were the people that were able to combine humor with heartbreak so beautifully and fluidly. Those films I think were what inspired me to want to come to L.A. and audition for movies.
I'm in the back of a limousine with Charlie Chaplin and it’s 1928. Charlie is beautiful; his body language seems to skip, and reel and rhyme, heartbreaking and witty at the same time. It seems to promise a better world.
My initial introduction to him was - this is a funny story... My Aunt Marian, my entire life growing up, told me that I looked like Charlie Chaplin. That didn't really resonate with me when I was younger - I hadn't seen a lot of his films.
We felt that the public, and especially the children, like animals that are cute and little. I think we are rather indebted to Charlie Chaplin for the idea. We wanted something appealing, and we thought of a tiny bit of a mouse that would have something of the wistfulness of Chaplin - a little fellow trying to do the best he could.
Walt Disney said everything he had ever accomplished was a result of Mickey Mouse. Mickey was Walt's alter ego and he was originally modeled after Charlie Chaplin's Little Tramp character. So without Chaplin, who knows what Mickey would have become!
Working with Chaplin was very amusing and strange. His films are so funny, but working with him, I found him to be a very serious man. Whereas the films of Hitchcock are macabre, he could be a very funny man to work with, always telling jokes and holding court. Of course, when I worked with Charlie he was getting older.
All I did as a child was pretend to be James Bond or Marlon Brando. When I was about four, I put on my dad's work boots and went up and down the street with his walking stick pretending to be Charlie Chaplin.
I wanted to make films, but the films being made in the 1990s were not my kind. I couldn't break in, and even if I did manage to get a foothold, I didn't know what I would make.
Comedy is a universal language. I grew up watching Nagesh, Surilirajan, Thenga Srinivasan and S.V. Shekhar's comedies. And, of course, Charlie Chaplin! These artists are so blessed: they can make other people happy.
I was a big fan of Buster Keaton and Charlie Chaplin.
I've always loved the Marx brothers and Charlie Chaplin.
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