A Quote by Johnny Mathis
There was a time when I was in the South, singing, and someone came to me before the show and said, 'There's been a threat on your life. Someone had phoned in and said they were going to shoot you if you go on stage.' I was singing 'Chances Are,' and I kept moving so they wouldn't have a shot at me.
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I'm here now because of my faith. That's what got me singing and what has kept me singing. That is what I have: what has kept me doing right and has provided me with the chances and the attitude and the skills to do this.
I came from a very musical family, so I grew up singing karaoke with the family. My family said 'do this' and brought me to singing lessons. I had always been writing poems and songs.
My mother told me to keep on singing, and that kept me working through the cotton fields. She said God has his hand on you. You'll be singing for the world someday.
You don't get many chances in life to make a movie, and if someone says they don't like it, I say, 'I do'. I've made records before, and if someone said it sucked, it bummed me out.
I came home one day from school after being chased by kids singing “Yellow Submarine”, and I didn't understand why. It just seemed surreal: why are they singing that song to me? I came home and I freaked out on my dad: 'Why didn't you tell me you were in The Beatles?' And he said, 'Oh, sorry. Probably should have told you that.'
I remember growing up singing; even when I was just three years old, I was singing all the time in the house. My parents said I was singing before I could even talk properly.
I was about 17 or 18 when I first started performing in public. I had a teacher when I was a freshman in college and she came up to me afterwards and said she had been crying while I had been singing, and it really shocked me.
I was full of energy, and I had a lot of bottled up rage that would come out in my stage performances. It was therapy sessions for someone who couldn't afford to go to therapy, a way to release my frustration, my inhibition. When I was little, growing up in an abusive household, I felt like I didn't have a voice. Suddenly I was on stage and people were watching me and listening to me, so even if I was singing about something that didn't have to do with abuse, when I was on stage I could express all of the anger, the rage.
I kept myself in shape, and the stuff they were doing in the South, I wouldn't go for. They wanted to whip me on TV, like they used to do with the slaves and all that. I said, 'No. I came in as an athlete, and I'll leave as an athlete.' And they respected me for that.
I started off singing when I was little. My parents have said I was singing at 3 years old. So I think it was just something I probably came into this world wanting to do and knowing I was going to do.
I remembered getting the script for the auditions [of Aladdin], I had asked someone there if improvs were allowed, and he said everyone is sticking to the script. I said to myself that they are either going to love me or hate me. I was crossing out lines and throwing in my own lines. I went into the room and started doing things. They were like, "This boy is nuts! We should keep him." That's how it all came about.
Abe's face came back into focus. "Greetings, Zmey," I said weakly. Somehow, him being here didn't surprise me. "Nice of you to slither on in." He shook his head, wearing a rueful smile. "I think you've outdone me when it comes to sneaking around dark corners. I thought you were on your way back to Montana." "Next time, make sure you write a few more details into your bargains. Or just pack me up and send me back to the U. S. For real." "Oh," he said, "that's exactly what I intend to do." He kept smiling as he said it, but somehow, I had a feeling he wasn't joking.
My No. 1 piece of advice, especially for someone who's an actor-singer-dancer - a triple threat, they're called! - people say, 'What's the most important?' I always say acting. Without knowing why you're singing or what you're singing about, it's just noise. And without knowing why you're moving your body, it's just flailing of arms.
My agent said, 'Jerry, Dancing With the Stars - they want you on there.' I said, 'Ain't no way. I'm not going to do that.' Then he came back to me again, and he kept putting pressure on me. I said, 'All right, I'll give it a try.'
The first time that I appeared on stage, it scared me to death. I really didn't know what all the yelling was about. I didn't realize that my body was moving. It's a natural thing to me. So to the manager backstage I said, "What'd I do? What'd I do?" And he said, "Whatever it is, go back and do it again."
I was a star before I got more than $250 a week. Carole Lombard advised me how to get a raise. She said: 'Go to Palm Springs and stay there until they raise the ante.' They were waiting to start a picture with me and I was scared they'd forget me for someone else, but they came after me.
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