A Quote by Johnny Mathis

I thought I sounded a little like Eartha Kitt for a long time, and I didn't like it. — © Johnny Mathis
I thought I sounded a little like Eartha Kitt for a long time, and I didn't like it.
I do not have an act. I just do Eartha Kitt... I want to be whoever Eartha Kitt is until the gods take me wherever they take me.
I felt like Eartha Kitt. I'm serving fish, honey, and this ain't trout.
Eartha Mae is very shy. She's scared to be seen, scared of rejection and even afraid of affection. Relationships can be rather uncomfortable for her. But, as Eartha Kitt, it's fine. I can accept and reject any time I want to. Do I ever reject? Not really. Although people think I do!
I think everybody who was in it thought they were all going to be Eartha Kitt or be big stars. That didn't happen, but it was a wake-up call to have one's first professional job on Broadway, I must say.
I wouldn't bother to describe me. I'm Eartha Kitt.
I remember the first time that my Nana introduced me to Eartha Kitt. Seeing a fierce Black woman on screen being unapologetically confident - just her essence that she had was so captivating.
I would have loved to paint Eartha Kitt, but she's no longer here. I'm so glad I had the chance to meet her.
I've always been multi-cultural myself. I'm not black and I'm not white and I'm not pink and I'm not green. Eartha Kitt has no color, and that is how barriers are broken.
I used to listen to a lot of music in my studio - all the time. But as far as the music that interplays with my work, what I've done and still do is keep a lyric book and song title. The material typically comes from Eartha Kitt, Betty Davis, Donna Summer, Whitney Houston.
Isaac Smith sounded like Curtis Fuller, Corey Hogan sounded like Sonny Rollins, Terrace Martin sounded like Jackie McLean. Already, at 13, 14, 15 years old.
'Boomerang!' I love that movie just because of Halle Berry, Robin Givens, Eddie Murphy, Grace Jones and Eartha Kitt. There were so many characters. As an actress, to see African-American actors be so diverse was different from what I was used to seeing.
When your 18th, 19, 20 years old like we were at that time, its just like anyone else, you look at like Silverchair and bands like that that are super young and sound extremely derivative of bands that were out at that current moment. As they sounded like 'Nirvana in pajamas' as we called them, we sounded like Bon Jovi and Skid Row and Motley Crue, because we were only influenced by what was out at the time because we were so young
Some acts are tricky. Eartha Kitt was tricky in a wonderful, old-style way. She did yoga on the piano and put her hands over her ears when the other acts were on.
I can remember how I sang - a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You're wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool. It's an accurate depiction of who you were and what you looked and sounded like at that point in your life. It doesn't necessarily mean that it aged in a way that it feels as cool or sounds as good to you, or says what you thought it said, 10 years later. That's just the nature of growing older.
I don't like the way recording to digital sounds. Most of the time when I'm recording to 2-inch tape, I still have a romantic vision of how songs sounded coming out of the radio when I was younger, and how they sounded coming out of my little four-track cassette player.
Sometimes people will bring up these odd things that I did a one-off from. Like, I did a 'Knight Rider,' and I'll get an E-mail from a 'Knight Rider' fan who says, 'Look what I did to my car!' And I don't know if you know about this, but there is a sub-cult of 'Knight Rider' fan who trick out their cars to look like KITT. I'm, like, 'Really? Isn't there anything else you can do? Do you make that much money? Because I have projects I'd like to get off the ground, so how about you don't make KITT and you give it to me?'
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