I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
As a military brat, it is always an honor when I meet someone from the Armed Services. It is always nice to hear that often Aliens is played for them before going on a mission. It's nice to know that I was a small part of something that is so important to the people that serve our country.
People sometimes say that bands sound like The Cars, but when I hear it I don't know if they do or not.
People who know me would say they get a kick out of the fact that I'm always playing nice people, not that I'm not a nice person, but it's not a defining element.
I always say that when I was recording with Phil Spector, he would not let me really sing, you know? And even to make me sound younger, he would speed the track up. He still wanted that real nice, little, quiet, sweet little sound.
The group-effort sound in recording of Sea Lion is like, you really hear all the people in the room and hear them interlocking. Theres a real freight-train energy of all these people at the same time playing.
The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.
There are a few people that I always say, "Hey, what do you think of this?" The minute that you know that you want this particular person to hear it, you know that you're pretty much done - although you're doing it to hear some feedback. It's a smart move to know whose ears you want.
I hear a lot of people saying my stuff sounds the same. When you're in my position, people come to you to give them the same sound in a different type of way.
A lot of solos I hear sound so incredible, but they sound like somebody practicing. They sound a bit soulless - fiery, but at the same time, lacking in spirit and soul.
I've always swung the same way. The difference is when I swing and miss, people say, 'He's swinging for the fences.' But when I swing and make contact people say, 'That's a nice swing.' But there's no difference, it's the same swing.
It's always nice for the judges and the audiences to have something a bit different so they don't always see and hear the same thing.
People are mostly very nice, and I always say hello. I'm laid back, so I don't mind. I think if people watch the show and want to say hi, you've got to be nice.
When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
The hardest thing about being famous is that people are always nice to you. You're in a conversation and everybody's agreeing with what you're saying - even if you say something totally crazy. You need people who can tell you what you don't want to hear.
Some people say we have thirteen albums that all sound the same. That isn't true. We have fourteen albums that all sound the same.