A Quote by Johnny Mathis
I have no way of knowing why my career has lasted so long other than the fact that people like the sound of my voice. Fortunately, I've been able to maintain it.
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I don't know if it's my music, my lyrics, my sound, and knowing the music business the way I do-all I can say is, my career has lasted way longer than I expected.
I don't know if it's my music, my lyrics, my sound and knowing the music business the way I do - all I can say is, my career has lasted way longer than I expected.
And fortunately, I haven't had any problem with my voice. I've been able to sing at a level of consistency that the people are expecting.
People want leaders. Not ideologues. Not people whose life experiences have been so narrow that they've been able to maintain the purity of their youthful ideals. Not people whose principal contact with political life comes in the form of speeches and sound bites rather than decisions and responsibilities.
Once I had the voice, I knew I wasn't going to fall off the bicycle. I tap right back into it. It really was like learning how to ride a bike - you never forget, and I was able to carry it along with some ease. I never encountered any stumping problems that left me not knowing what to do, so I was mostly able to hold my ground. Of course, I should mention that it took me a long time to actually acquire the voice; there were a lot of frustrated attempts along the way, revisions to long sections and versions of the book that I abandoned.
What's funny about my voice is, no matter what I sing, I sound like I'm really sad. I don't even mean to do it, it's just something my voice has. I think that's one of the reasons why Okkervil has been dubbed as really mopey - I have this tone to my voice that sounds like that.
I had no idea I would be able to have a career in drag that's lasted this long, at the level that I get to do it at.
I don't think I've necessarily been able to pick and choose in my career; I don't know how many people do. But I'll tell you what I've been able to do: I've been able to say no. It is the only thing you can hold on to sometimes, is that ability to say 'no.' And I think that in that way, you can create some kind of career.
My voice has always been kind of distinct - even when I was four years old, my mom told me that people would be like, 'Why does your daughter always sound like a chain smoker?' I've always had this deep, raspy voice.
It's all about self-discipline. Like, self-obsession is connected completely with self-loathing, and it's the same with, if you've got a weight problem. It's all about... finding some worth in yourself, knowing that you've got the discipline to do it, and knowing that other people maybe can't do it. And it's also, I think, really connected to the fact that you almost feel, like, silent, you have no voice, you're mute, there's just no, you've got no option. Even if you could express yourself nobody would listen anyway. Things that go on inside you, there's no other way to get rid of them.
In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have. It was a case of pulling whatever resources I had to get the sound I wanted, but that doesn't take anything away from the authorship. They are songs written by me that sound the way I want them to sound. Whether it's my voice or someone else's doesn't make a difference to the music.
As soon as you start acting in an accent, you're sort of out of your comfort zone. Maybe people start getting used to accents after a long period of time. But as soon as you do that, it's not so much as capturing the sound of the way other people speak, it's being able to actually be and move around in the sound.
I haven't a clue why I've lasted so long. There's no reason. There are many people more talented than me. I think it's luck.
My aspirations were never anything other than I really, really admired certain singers over the years, and I just wanted to do the best I could. And that has been kind of like the way I've been fortunate enough to be able to have a career, have some success, and yet continue to learn my craft.
I think people felt like they did everything they had been told they should do to fix the problem, and it still wasn't fixed. Then you have these other parts of Sudan, [which] in actual fact have been left on the back burner for way too long, so there was this scramble, probably a year ago now, to focus on the fact that this peace agreement was basically falling apart.
To touch on people's lives [ in a way they ] haven't been touched on before, it´s fascianting. You know, it's one thing if [ a celebrity ] has an incredible character and you're really going to be able to delve into their personality – that's great. But you can never get real purity if people have been spoiled by the camera and don't trust you. I like feeling that I'm able to be a voice for those people who aren't famous, the people that don't have the great opportunities.
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