A Quote by Johnny Mathis
I've lost a few notes on the top. But I've gained a little insight about what makes people comfortable when they're listening or watching a performance of mine. It usually has to do with singing something that isn't vocally too strenuous.
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I shot you, all right," he said, "and you lost something, but you gained something as well. You just don't know it yet. I gained something, too." What?" I got to keep my promise. I didn't leave you behind.
Notes are tricky in an audition, because I find, more often than not, my instinct is right. If they have a preconceived notion about the role and it goes against my instinct, unless it makes sense to me, it often throws off what I'm trying to do. Though sometimes they have an insight that I don't because they've been living with the script. I don't have one feeling or another about notes, but it is always a little bit of a red alert when I get one in an audition.
The secret is to listen, open your mind, listen to the pros. With the help of the UFC's Performance Institute, too. Listening to my coaches and listening to my body, too. Having discipline. It's not just listening, too, because sometimes people have the knowledge but don't know how to use it. You need to be able to put that to practice.
I've always been comfortable in my own skin - sometimes a little too comfortable, which in turn makes other people uncomfortable.
Dying makes everyone weaker, subject to painful insight, and not always insight into any kind of special truth - it's just the approaching end that makes people want to believe they are seeing something in the line of a great revelation.
Music reigns supreme. It does not need a visual prop. While listening to a number, do you enjoy the tune, or do you enjoy it because you imagine someone singing it? In fact, quite a few hits of mine are from films that no one has heard about. The songs still rule, though.
I was full of energy, and I had a lot of bottled up rage that would come out in my stage performances. It was therapy sessions for someone who couldn't afford to go to therapy, a way to release my frustration, my inhibition. When I was little, growing up in an abusive household, I felt like I didn't have a voice. Suddenly I was on stage and people were watching me and listening to me, so even if I was singing about something that didn't have to do with abuse, when I was on stage I could express all of the anger, the rage.
I avoid listening to too many people's comments about my script. I have learned to take in what is of use. It's too frustrating looking at somebody's notes who didn't get what you were doing. If somebody says, 'This stinks, and here are all the reasons,' that's not going to help you.
I've done a lot of performance practice, Baroque playing, and some of the joy and the challenge of it is figuring out what the composer intended... You have music of the 17th century - it's all whole notes and half notes. But inside of that, there are so many things that one can do, at least according to what we know about performance practice.
I studied and sang lot of jazz when I was growing up. I think that plays a little bit into some of the things I do vocally, notes that I pick in chords.
Definition of lecture: An art of transmitting Information from the notes of the lecturer to the notes of students without passing through the minds of either.
Definition of conference: The confusion of one man multiplied by the number present
Definition of office: A place where you can relax after your strenuous home life.
"What people say about me behind my back is none of my business."
Listening closely to songs these days, there's a lot of lazy songwriting where people get away with it. I don't want to be too critical about it. But I also feel like I wanted to say something a bit different from just being a musician and singing about yourself. Ultimately, that's not really interesting to me. Even when I was a kid, I was interested in observing people and maybe making my own stories. That kind of reflects in my music.
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
I know that I have a lot of friends who are envious of me. But if there is something to be gained, obviously something else has to be lost, right? Lately I miss the things I’ve lost.
I know I'm known for singing some of those high notes, but that's really not what giving someone goosebumps is all about. It's about really trying to find what makes you unique.
How do you forget something? You just walk away from it, those who are still alive. There are so few clearings in our hearts and minds, so few places where something can't grow on top of whatever happened to us before, and this is love too.
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