A Quote by Johnny Mathis

I was always a little bit afraid because I found out at a very early age that once you make a record, all the mistakes and all the good things are there for eternity. — © Johnny Mathis
I was always a little bit afraid because I found out at a very early age that once you make a record, all the mistakes and all the good things are there for eternity.
A computer is a wonderful and friendly machine, because it's always just a little better than you are. You're always a little bit behind, but it stays right there with you anyway. It allows you to make the mistakes, and then to try to find out what the mistakes are, and then to repair the mistakes. It's always your friend. It quits on you, but it doesn't leave the apartment.
Someone once told me not to be afraid of being afraid, because, as she said, 'Anxiety is a glimpse of your own daring.' Isn't that great? It means that part of your agitation is just excitement about what you're getting ready to accomplish. Don't sell yourself short by being so afraid of failure that you don't dare to make any mistakes. Make your mistakes and learn from them. And remember: No matter how many mistakes you make, your mother always loves you!
It's funny because you do often read in recounts of very famous albums, people tend to focus on mistakes in really positive ways, and there's certain mistakes of my own that I always do find on every record that I needed to accept. I find it really interesting to talk about. I always write songs at the wrong tempos, and I have to learn to accept that a little bit.
I remember at a very early age ringing up record labels I found in the Yellow Pages, and asking them for a record deal.
When you are shooting in a conventional way, you put nets around yourself. It's very hard to fall and hit the ground. You can always manipulate things to make it not embarrassing. If the scene is a little bit bad, you can polish it or even take it out. You can hide your mistakes.
Found one of my old journals. from right around the time we were heading out on tour with NFG in the UK early 2008. i started reading it and couldn't help but cry a little bit. cause that person was really confused. and very lost. and as it went on, the person behind the pen seemed to get a little bit stronger.. that part felt good. it was the reminder that i needed that right now i'm as strong as ever. there really isn't a point to telling you all of this. except maybe i want to thank you. cause you are a constant reminder. that i'm not as lost as i once was.
I've always been very impatient. At age 10 I frankly found life boring, and I can remember age 9 having the awful thought, as it seems now looking back on it, A war! That should liven things up a bit!
I was being singled out as the best in the class at this, that and the other, nearly always to do with art. And then I was a very good swimmer from a very early age, and once again the best in the class, and when I was about five or six, I was the best in the school.
I'm very self-deprecating, so I'm not afraid to make jokes at my own expense, and I've just found that makes people a little more comfortable and can open the door for people to feel a little bit more understanding and accepting of where you're coming from.
I found at an early age the times when I learned the most about myself was when I got thrown out there on a stage in front of a microphone when you didn't really want to be out there, where you're kind of afraid.
I was always the kid who wanted Christmas to not come, because I realized at a pretty early age that no matter what you got, there's always a little bit of a letdown. It's like, 'Oh, gee, I wanted two ponies, not one.'
I'm in a very good place now because I do theater, I do TV and I make movies. I was a dancer, so I dance a little bit. I was a musician, so I do a little bit of music. And I do all of this in four or five different languages, and all over the world.
As a kid growing up, this was sometimes a little bit intimidating to have a mom who was always, like, speaking up and always saying something that might be kind of controversial . . . . The thing I think that we got out of that that was really good was, like, we weren't afraid to make waves.
Look, every institution will make mistakes. I acknowledge we make mistakes, and they can hurt my reputation and our company's. But you also must be willing to let go a little bit, trust others, and not always be so stringent, provided you have robust controls.
With patisserie, unlike with cooking, you have to be very precise; you can't just add a bit of this and a bit of that, because your cake starts melting. There's a lot of technique involved, but you can still be creative. Because of my artistic background, when I have that freedom I tend to do things a little bit out of the box.
I know that as a very young child, I was afraid of death. Many children become aware of the notion of death early and it can be a very troubling thing. We're all in this continuum: I'm this age now, and if I live long enough I'll be that age. I was 20 once, I was 10, I was 4. People who are 20 now will be 50 one day. They don't know that! They know it in the abstract, but they don't know it. I'd like them to know it, because I think it gives you compassion.
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