A Quote by Johnny Otis
Society wants to categorize everything, but to me it's all African-American music.
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I think we have to get beyond the idea that we have to categorize people. We can now have action movies with two stars where one might be African American and one might be Asian American. One of them doesn't have to be white, and the other one doesn't have to be the ethnic sidekick. We're way over that. And I think it's happening in society, too.
Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.
That argument doesn’t make any sense to me. So we want to advance as a society and as a culture, but, say, if something happens to an African-American, we immediately come to his defense? Yet you want to talk about how far we’ve progressed as a society? Well, if we’ve progressed as a society, then you don’t jump to somebody’s defense just because they’re African-American. You sit and you listen to the facts just like you would in any other situation, right? So I won’t assert myself.
I've always thought of myself as an African-American comedian, African-American man, everything.
As a youngster, my parents made me aware that all that was from the African Diaspora belonged to me. So I came in with Caribbean music, African music, Latin music, gospel music and blues.
My own personal theory is that all popular music, in whatever form it is, to me, it all comes from Africa. Whether it's filtered through America or whatever - African-American. But I still think there's something in that roots music that's very, very African, and I think that's what unites people.
Women in Africa are really the pillar of the society, are the most productive segment of society, actually. Women do kids. Women do cooking. Women doing everything. And yet, their position in society is totally unacceptable. And the way African men treat African women is total unacceptable.
When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.
To perceive is to categorize, to conceptualize is to categorize, to learn is to form categories, to make decisions is to categorize.
When African-American police officers involved in a police action shooting involving an African-American, why would Hillary Clinton accuse that African-American police officer of implicit bias?
I am African-American, and I am a proud African-American. I just don't like to put myself in a box and say, 'I'm an African-American actress.' I am an American actress, and I can do any kind of role.
For me it's hard, especially being a young African-American woman. My dad doesn't look like what you might call the 'safe' African-American male that America would accept, if you know what I mean.
It's exciting to me that Ride Along is a movie that has two African American leads, but it's even more exciting to me that it's not a movie about two African American leads. They just happen to be African American. It's a universal story. It's a story about a guy in love with a girl, and he's gotta get the approval of the overbearing, mean brother. That's a universal theme.
Getting into the banjo and discovering that it was an African-American instrument, it totally turned on its head my idea of American music - and then, through that, American history.
Congolese rumba was so huge in Africa that everybody was inspired by it. But my African roots brought me this music. In every African family, parties in Brussels, we used to listen to this kind of music. And salsa music as well.
Any staffing changes that disproportionately cut the number of African Americans at CNN - intentionally or otherwise - are an affront to the African American journalism community and to the African American community as a whole.
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