I was living and working with adult men who were playing a real art form. And I had been playing blues all my life. As soon as I formed my first band, we played Jimmy Reed stuff. So it wasn't like I was a white kid who was learning the blues from B.B. King records.
I don't sing white; I don't sing black - I sing Bronx. When I sing 'Ruby Baby,' I'm rolling like Jimmy Reed. I wanted to communicate like Hank Williams and groove like Jimmy Reed.
I was lucky enough to get to see guys like Bugs Henderson, Jimmy Wallace, all those great Texas blues players.
Ever since I was a little kid and first heard Jimmy Reed's 'Honey, Don't Let Me Go,' the blues has been in my blood.
Ed Reed is a legend. Ed Reed will always be the standard that, as players, we look up to and strive to be like.
I admire Arsenal and the philosophy that the young players have. Liverpool, with their Spanish players, they also have an incredible squad. And Manchester United and Chelsea are teams that are very big, like Real Madrid and Barcelona, with money and incredible players.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
For those who don't like Dave Letterman, there's Jay Leno; and for those who like neither, there's Craig Ferguson; and if you're still feeling undertained, there's George Lopez and Jimmy Fallon and Jimmy Kimmel and - let's see, did we leave out a Jimmy?
I think the blues is fine for blues players, but free blues has never made much sense to me.
The first songs I learned were 'It Takes a Worried Man' and Woody Guthrie's 'Grand Coulee Dam,' 'Rock Island Line' - those kind of American folk songs that were probably on the edge of blues. After that was Eddie Cochran and Chuck Berry songs. And then I heard Muddy Waters, Jimmy Reed and Big Bill Broonzy on the radio.
I think in 1991, when Jimmy got to the semifinals, it was just incredible all of the people coming out.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
I loved Jimmy Reed, the chord changes, the lyrics.
I grew up singing Ray Charles and Jimmy Reed.
My mom would have liked it that I patterned myself more after Jimmy Reed.
I do all the classics, like Dylan, Kristofferson, Jimmy Reed, Mexican mariachi songs, some jazz songs from the '30s. Cole Porter's 'Begin the Beguine,' that's one of my favorites.