A Quote by Johnny Van Zant

I always try to relate a song to something what is going on, the working man, the times, how life goes. — © Johnny Van Zant
I always try to relate a song to something what is going on, the working man, the times, how life goes.
While it is challenging working with a kid, because they're so of the moment all the time. My acting style is to try to take something from my life that the character can relate to and that I can relate the character to.
You want to have a song that people will listen to and go, 'Oh, yeah! That reminds me of something in my life,' or, 'something I'm currently going through,' or maybe something happens later and you hear the song and go, 'Wow! That really was telling a story that I can relate to now.' That's my hope.
I don't always have to sing a song. There is something besides 'The Man That Got Away' or 'Over the Rainbow' or 'The Trolley Song.' There's a woman. There are three children. There's me! There's a lot of life going here.
If I don't relate to a song, I won't sing it. The thing is that if I wrote it, I'm always going to relate to it.
I just try to use my own life to build a human song: something that people can relate to in some way. It's not like the psychiatrist's couch or anything.
When I'm picking songs for an album I always want a song that I can relate to and that I have experienced. There's nothing worse than watching an artist try and sell a song that isn't believable coming from them.
I don't try to approach things any differently, songwriting-wise, regardless of what I'm doing. I try to write whatever the best thing is that I'm doing that day. If I'm working on a pop song, I'm working on a pop song to the best of my ability. If I'm working on a bluegrass song, it's the same thing. They're not really different parts of the brain.
I've always wanted to write a song that goes, "I love you" and a book that goes, "Something happened." Something very direct.
I always said if I lived to get grown and had a chance, I was going to try to get something for my mother and I was going to do something for the black man of the South if it would cost my life; I was determined to see that things were changed.
I know, for me, that I have always been very conscious of how I dress when I go to the studio, I'm very conscious of my body language when I'm working - a lot of times, I'm the only female in the room. It's a very male-dominated profession. I'm always around guys. Guys are going to try you all day, and they're going to flirt all day.
People always make that mistake when they talk about theatre - the notion of the 'theatrical' meaning something separate from life. If it doesn't relate to life, it doesn't relate to anything.
We all have an expectancy of something, but who's to say it always goes that way? Nine times out of 10, life never goes that way.
There have been times that we've had arguments with Brad [Dourif] because he comes in with very strong ideas and, as in any working relationship, sometimes you're going to disagree, and he always goes to the mat and I've just always appreciated that attitude, that he takes it so seriously.
I try to show the children how every lesson I teach them is going to be something they use in their real life. That's why my kids work so hard, not because I'm so cool. They're working for themselves.
What is good is what it's going to lead to, like the song "Jai Ho." If good numbers are going to come in the future, it bodes well for a lot of things. But then, who's going to maintain that. That's the question. So far they could never lead to an Indian song, like a normal film song in this that they can relate to.
If you try to create something that everybody can relate to, you're gonna make something that nobody can relate to.
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