A Quote by Johnny Van Zant

Don't sign your publishing away. — © Johnny Van Zant
Don't sign your publishing away.
I don't agree with the way labels are set up. I don't agree that anyone should sign 360 deals or sign away their publishing or take most of the infrastructure that's included in a formal deal.
Publishing is not evolving. Publishing is going away. Because the word "publishing" means a cadre of professionals who are taking on the incredible difficulty and complexity and expense of making something public. That's not a job anymore. That's a button. There's a button that says "publish," and when you press it, it's done.
You sign your life away, basically, when you sign a record deal, and if you have a platinum album, then you go back in and renegotiate.
I think there's a part when you sign your soul to the devil and start working in Los Angeles that you also sign away that you could be a human being in anyone's eye. You're like a robot!
When you sign your letter of intent to go to college you kind of sign away, and understand that you have certain rules and obligations that you have that normal students don't have... it's part of the process, being apart of the university and what you represent.
I wouldn't tell nobody to sign no slave deal or sign your life away or nothing like that, but if the deal is right and if it benefits you, you'd be a fool if you did not take advantage of it.
Who was it recently invented some machine that will enable her to sign a book from 5,000 miles away? Margaret Atwood. Get off your arse, love, and sign it in person. Publishers and circumstance made you a bestselling author. Give a little back.
[On working with James Joyce:] So, either you run your publishing business far away, where your writer can't get at it, or you publish right alongside of him - and have much more fun - and much more expense.
Remember the waterfront shack with the sign FRESH FISH SOLD HERE. Of course it's fresh, we're on the ocean. Of course it's for sale, we're not giving it away. Of course it's here, otherwise the sign would be someplace else. The final sign: FISH.
I don't think anyone is ever writing so that you can throw it away. You're always writing it to be something. Later, you decide whether it'll ever see the light of day. But at the moment of its writing, it's always meant to be something. So, to me, there's no practicing; there's only editing and publishing or not publishing.
I'm very selective about television because you sign away so much of your life to it.
I'll give you some symptoms of a sign that your faith is deteriorating-whenever you face all of your problems and you trust only your plans to get you out-it is a sign that your faith is deteriorating.
You'd better discover a more important motive than publication for your work or else you'll go crazy. My sense is that you'll be writers only if you are convinced that to write is something for which there is no substitute in your life. You must therefore be ambitious for your work rather than for its promotion. The good news here is that if you assign secondary importance to publishing and primary to writing itself, you will write better, and will thus increase your odds of getting publishing.
Nobody will protect you from your suffering. You can't cry it away or eat it away or starve it away or walk it away or punch it away or even therapy it away. It's just there, and you have to survive it. You have to endure it. You have to live through it and love it and move on and be better for it and run as far as you can in the direction of your best and happiest dreams across the bridge that was built by your own desire to heal.
Labels fund things and have resources for you to use. But just because you sign doesn't mean you sign yourself away so they can then tell you what to do. You need to have a plan yourself before they do.
If you do an American TV series, before the audition you sign away the next five years of your life.
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