A Quote by Johnny Vander Meer

All the publicity, the attention, the interviews, the photographs, were too much for me (after throwing his second no-hitter in 1938). — © Johnny Vander Meer
All the publicity, the attention, the interviews, the photographs, were too much for me (after throwing his second no-hitter in 1938).
Now, if there was one woman in the world who didn't need publicity, who always had too much publicity, it was me.
All I wanted was attention from girls when I was a kid. Then I got my braces off, and then there was too much attention, and I was also mad that they didn't pay attention to me in the first place. Then I was just like, I couldn't put on blinders and focus on one because there were too many options.
In college, my teachers were usually after me for going after comedy too much, leaning too much in that direction.
When I first knew Bob Dylan, he lived in the Village. And for a man who, years after, would disdain publicity or any attempts at interviews, whenever I'd write something about him, he'd be on the street corner saying, `When's it going to run? When's it going to run?' But I must say that album that was - it was the second album he did, and though I've never been a fan of his guitar-playing, he did - I have to admit, he did catch the Zeitgeist of the time.
I really don't pay too much attention; I don't go out of my way to read any interviews.
I was doing publicity for 'The Getaway'; people were coming in from all over the world to do six-minute interviews.
My parents were singularly uninterested in me. My father was too self-centered and too busy with his own practice to pay a lot of attention to me, and my mother was probably deflected more by my sister.
Now that I think about it, my 40th birthday was the most anxiety I've ever had, and my wedding was also the second time I've had that much anxiety. So I'm starting to realize that I can't be throwing these big bash parties because I need to own that I get anxiety with a lot of people diverting their attention to me.
A huge segment of the country has always felt overtaxed. In 1938, when taxes were roughly 17% of income, a 'Fortune' survey found that nearly half of all Americans thought they paid too much relative to what they got in return.
The emerging notion of the Eighties was that publicity was a currency. The old view was that if you had a currency - your talent or your product - publicity might draw attention to it. The new view was that publicity in itself, highlighting you, bestowed value.
We were brought up to think we were amazing. Maybe I was too confident, too full of myself. I found school difficult. I'd get followed home by 20 kids throwing stuff at me. The teachers didn't like me, either. We left Ireland for Manchester when I was 12, and I was happy to go.
Most of my photographs were taken on the spur of the moment, very quickly, just as they occurred. All attention focuses on the specific instant, almost too good to be true, which can only vanish in the following one.
I copied (Shoeless Joe) Jackson's style because I thought he was the greatest hitter I had ever seen, the greatest natural hitter I ever saw. He's the guy who made me a hitter.
[Among conservatives] there's been too much pseudo-populism, almost too much concern and attention for, quote, 'the people'.... After all, we conservatives are on the side of the lords and barons.... We...are pulling up the drawbridge against the peasants.
If I'm throwing a no-hitter and someone says, 'Hey, you've got a no-hitter,' obviously I'd be like, 'Yeah, I know.' I just try to be humble. I don't like to talk about myself. I have no problem speaking up when I screw up, but if I'm doing good, people are going to notice. I don't need to talk about it.
The Jews were gassed. Armenians were killed in every conceivable way... So the Holocaust doesn't interest me, see? They've had a lot of publicity, but they didn't suffer as much.
This site uses cookies to ensure you get the best experience. More info...
Got it!