A Quote by Johnny Vegas
My forte is playing drunks down the ages. When my agent rings me about a role, I don't ask what the part is, but what century it's in.
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My agent knows what I'm looking for. And I'm also looking for a new agent, too, so I'm putting it out there. Again, I'm not going to turn down every role, because there is no bad role, really. It's all what you bring to the role, but that traditional, 'Stand here and open a rope,' I'm not doing it.
What's interesting about playing Maura is that I get to use more of Jeffrey that I've ever used in any role, and I think that's the remarkable part about it and truly the most surprising part about doing this role.
Everybody talks about being a role model. But if you look up the word 'role' in a dictionary, it describes playing a part. Everything I'm into, it's real to me. There's nothing fake about it.
The best drunks are the ones who only hang out with other drunks in places we all know are filled with drunks.
When I first started to do fashion shows I didn't have the budget to hire top models so I would cast women who inspired me, and ask them to walk how they walked. I was doing a mise en scène, which for me was normal. I love for people to see my clothes, but it was more about the attitude of the girls. The revues of the late 19th century/early 20th century were very much a reflection of what was happening in society and politics, and for me that is also the role of the fashion designer.
The most important thing to remember about drunks is that drunks are far more intelligent than non-drunks- they spend a lot of time talking in pubs, unlike workaholics who concentrate on their careers and ambitions, who never develop their higher spiritual values, who never explore the insides of their head like a drunk does.
It's funny, 'cause it seems like just yesterday that I was the youngest player just starting out. But now there are young players all over the league, and they'll ask me questions about playing overseas or finding an agent.
Role-playing games have been a huge part of my life and a huge part of my training as a performer - learning social skills, meeting friends, and being a generally competent person - so I owe a lot to role-playing games.
The role of an orchestra in the 21st century isn't just playing, it's about developing future audiences and performers.
My agent told me they were casting for the voice of Gollum. I hadnt read The Lord of the Rings, but I read the script and realized what an amazing role it was. I developed a voice for the audition tape, then met Peter Jackson and Fran Walsh at the auditions and fell in love with them both.
'Newhart' ran the longest, and it was great to have a regular role, but I run into a lot of film fans, and they ask me about 'Blade Runner.' I was grateful to be a part of that.
One of the things everybody seems to want to ask writers is, "Where do you get your ideas?" When people ask me this, my usual response is, "Ideas are the easy part. The hard part is writing them down."
If you ask me what's Aventura's forte, I'll obviously say its capacity to deliver hits.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
When people ask me what I think about when I'm playing, I picture myself as a 10-year-old girl, playing in the park, scoring a goal and then celebrating. That's when I'm playing best.
Sometimes I have young comics that ask me, "What should I do when I meet an agent or a manager and they ask me stuff?" And I say, "Well, they always usually ask, 'Where do you see yourself in five years, 10 years, 15 years?' And it's good to have an answer for that."
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