A Quote by Johnny Vegas
There's this idea that it has to be made in London. But we've got everything up here, and if you've got comics who are gifted because of where they're from, you shouldn't drag them away from that natural resource.
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I quit comics because I got completely sick of it. I was drawing comics all the time and didn't have the time or energy to do anything else. That got to me in the end. I never made enough money from comics to be able to take a break and do something else. Now I just can't stand comics. . . . I wish my work would be recognized by a larger crowd of people as more art than be stuck with the cartoonist label for the rest of my life.
In the mid-1980s, however, the Estonian TV programmers came up with a clever idea: they asked Moscow for millions of rubles to make propaganda in Estonia to fight the Finnish programs' popularity. They got millions from the government, but what they made was not propaganda at all! They simply made good, entertaining programs - no one in Estonia recognized them as propaganda, only Russia thought it was, so they got away with it. Of course, Russia provided their own propaganda programs, but Estonians knew to avoid them.
Around '93, the radio started playing 'Loser' by Beck and 'Cut Your Hair' by Pavement, and then I got way into Pavement. That was kind of a gateway drug into indie rock. I got all their B-sides, and I got that 'Hey Drag City' comp, so I got into all those Drag City bands.
What Brighton's got is a major sea port on either side, good for importing drugs, great for exporting cash, stolen cars, stolen antiques. It's got the largest number of antique shops in the UK, so it's a great place to fence stolen goods. It's got tremendous communication: you've got the sea ports, you've got the channel tunnel, you've got Gatwick Airport 25 minutes away, and London's 50 minutes away by train. So all these escape routes... Which is what villains like.
We got to go to Lucas Ranch and, at that time, my brother was still living in a condo about a mile from Robin Williams, and so I made all of the other comics jealous because I got to get a ride home with him.
Years ago, I saw a job for head baker for The Dorchester Hotel in London, and I didn't want to move away from the North West. But then I thought, 'I've got to do this for my career,' because I was very ambitious. So I went for it and got the job.
I was going to be a storybook illustrator or an editorial illustrator. I ended up in a comics class by mistake because all the others were full, so I was like 'I'll stay for one class, and then I'll go take something else, because I don't care about comics.' I got pulled in really fast; I discovered I had a voice in comics that I didn't know I had.
I've always loved American stand-up. Richard Pryor is one of the main reasons I got into stand-up. After Pryor, I made my way through the other great American comics, then finally got into the British ones over here.
That's exactly the reason I'm leaving RCR because you've got those punk-ass kids coming up. They've got no respect for what they do in this sport and they've had everything fed to them with a spoon.
I don't really read any comics, but when I got casted on the show, I starting reading 'The Walking Dead' comics. I felt like I needed a better idea of the character.
I got into comics about the same time as music. By 12 years old, I had discovered my dad's killer comic book collection filled with Silver Age books from his youth...early Spider-Man, Thor, Fantastic Four, The Hulk, Detective Comics, Action Comics, you name it. Seeing those old books got me interested in new comics, so my friends and I would hit the local comic shop every Saturday to pick up the cool titles of my generation.
I was at my house in Paris, having a day off, when I got a phone call from Arsene Wenger - he asked if I'd come back to London for a medical. I woke up at 9 A.M. on transfer deadline day, jumped on a train, got to London, but then it never happened.
A nice, easy place for freedom of speech to be eroded is comics, because comics are a natural target whenever an election comes up.
Being movie director you've got the art department, you've got the actors, you've got the camera department, you've got make-up and hair, and props. You've got your finger in all these pies, and you're making sure that everything cooks at the right temperature.
I actually sat down and started three Alexanders at the same time. Two of them went in the trash and got stomped on because I hated the idea so much. And the one I came up with, I got very excited by. And that's 'Alexander, Who's Trying His Best to Be the Best Boy Ever'.
I'm a God-gifted fighter. I've got vision. I've got very good reaction. I've got a good jab. I seem to be able to hit and not get hit. I've got a good right hand, and that's my power hand. I like to mix it up. I'm never set on one style. I'm always doing something different, and I'm a sponge. I'm always learning more.
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