A Quote by Johnny Vegas

I couldn't be 'Johnny' in front of a camera in acting jobs and behind the camera I like to be 'Michael.' With directing, you can't do it by halves. There's a lot of reflection, and I have found that I, as 'Michael,' thrive on it. It's lovely coming home and feeling that stuff from a day's work as myself.
Michael Moore and I actually have a lot in common. We both appreciate living in a country where there's free expression. But Michael, if you ever show up at my front door with a camera, I'll kill you. I mean it.
Being behind the camera is where I feel comfortable. I've found something that I feel I, as 'Michael,' can be as confident in as 'Johnny' was on the stage. It's great being part of the creative process. You're right at the start of an idea, and you get to see it all the way through till the end.
I have a lot of appreciation for what people do in front of the camera as well as behind the camera. I don't think I could like one without the other. Eventually, I think the road will lead me down to producing or directing, because it's more about problem solving.
Neil Mahoney was definitely the visionary in taking 'Freak Dance' from stage to screen. He made it more cinematic. He brought the choreography, all the ways to shoot that. I was more the director of actors. I was in front of the camera directing, and he was behind the camera directing.
I worked with Michael Black and Michael Showalter on their show 'Michael and Michael Have Issues.' We did some stuff on that, but it ended up not getting picked up for a second season. There will be more stuff, but not right now. Michael Showalter and I are literally next-door neighbors. We see quite a lot of each other.
I could never imagine myself acting in front of a camera or doing anything in front of the camera. I was a very shy girl.
It's not just the actor in front of the camera. And it's important to have respect for all those people that work behind the camera.
I prefer directing to acting. There is huge freedom that comes from being behind the camera. It brings a lot of responsibilities as well but is intensely rewarding.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
I do films to be behind the camera, not in front of the camera. I'm sure I say very intimate things about myself in all my films, but it's better to say it not too directly, to be hidden behind a woman.
We need women behind the camera like we do in front of the camera. That's when we will have stronger, smarter, better roles for us.
I don't like to be in front of the camera - my place is behind the camera.
To be honest, I don't see myself acting forever. I just can't imagine myself being a 70-year-old man fighting for roles. I would love to do small parts in my friends' movies or things that I'm directing myself. I do envision myself behind the camera as I get a little bit older.
When you're acting in front of a camera, you can really give all of your emotions with your eyes so the camera can see it. When you're in voiceover, you can't do that at all. It's a lot tougher because you have to convey this emotion, and you have to have a lot of trust in the animators.
I never studied directing and I never really thought about doing it, and then I just found myself in that situation and tried it. I like to be observing everything else, and I get self-conscious in front of the camera.
There are some rappers out there that I listen to, that I'm like: "You are really good but you could be like the Michael Jordan of rap if you applied yourself." There's a lot of people who are better at basketball than Michael Jordan, but Michael Jordan just wanted to be Michael Jordan, more.
This site uses cookies to ensure you get the best experience. More info...
Got it!