A Quote by Johnny Vegas
I thought I could play the hellraiser and then put 'Johnny Vegas' back in his box. I found popularity through self-destruction. The more you damage yourself, the more people are drawn to you, and that can be quite addictive. It is not a lifestyle you can maintain.
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I found popularity through self-destruction, and that can be quite addictive.
I found myself Tivoing because I was working so much last season [of Heroes], I Tivoed all of the episodes so I could come back and watch them back to back to back and I found myself like I could not put my remote down. I was like, "Just one more episode, please."
Johnny sort of popped into my head midway through the first draft, and he wouldn't leave. But the more I thought about it, the more it made sense. In the first half of the movie, this guy is in the house not doing anything. I really needed an actor who's inventive and who will make enough idiosyncratic choices to make it entertaining to watch. And let's face it, Johnny Depp could make a nap interesting to watch.
People have different emotional levels. Especially when you're young. Back then I guess most of my influences could be thought of as eccentric. Mass media had no overwhelming reach so I was drawn to the traveling performers passing through.
I would say I am more concerned with the plays I'm going to do than the movies. I'm more comfortable in a play. In film, there's always a certain sense of control, of holding back. The stage is different ; there's more to act. There are more demands put on you, more experiences to go through.
Being 'Johnny' was almost like an out of body experience. I thought he was just a character that I'd created and could quite easily step away from, but it was much more difficult than that.
We often think that "bad" relationships are motivating by self-loathing or a wish for self-destruction, but I think that loving people who hurt us is more tied to a profound and earnest wish to soothe ourselves and recover from older hurts. And I've also found that having empathy for that urge is the best way to move through it, and beyond it.
When you label somebody and put them in a box, then you put the lid on the box, and you just never look inside again. I think it's much more interesting for human beings to look at each other's stories and see each other. Really see each other and then see themselves through other people's stories. That's where you start to break down stereotypes.
If you want to understand yourself, Then do not examine yourself. Just love yourself more sincerely, More soulfully And more self-givingly.
First I found [Elvis] to be a gentleman and then a gentle man. I found he could be sensitive to small issues. For someone of his stature there is very little for him to notice, ya know? He's so insulated by the people who surround him and by his own popularity. And yet Elvis will still find little things. He'll take the time to be gentle with people.
The hero of the 'Peanuts' is Charlie Brown. I play the dog that sleeps on the top of his dog box who's a philosopher. I'm drawn to that. So I'm drawn to Barbossa as I'm drawn to Einstein, because they are outsiders, and I suppose, as a character actor, that's the turf that you're locked into, in a way.
Spend the most time with your best people. ... Talent is the multiplier. THe more energy and attention you invest in it, the greater the yield. The time you spend with your best is, quite simply, your most productive time. ... Persistence directed primarily toward your non-talents is self-destructive. ... You will reprimand yourself, berate yourself, and put yourself through all manner of contortions in an attempt to achieve the impossible.
Everyone has a self-destructive nature in them. It's whether you feed it or not. You don't have to be a pop star to feel connected to destruction or self-destruction. But self-destruction is self-obsession, and self-obsession is not really possible if you're engaged in raising children. And if you have a spiritual life, you're constantly being asked to see yourself as one small fragment in the bigger picture.
Critics have found in the narrative a veneer of erudition that cloaks nothing more than a James Bond-style romp, albeit a highly addictive one. His publisher has described it as 'a thriller for people who don't like thrillers'. One newspaper put it thus: 'It is terribly written, its characters are cardboard cutouts, the dialogue is excruciating in places and, a bit like a computer manual, everything is overstated and repeated - but it is impossible to put the bloody thing down.
People thought it was asinine for me to change my swing after I won the Masters by 12 shots. ... Why would you want to change that? Well, I thought I could become better. If I play my best, I'm pretty tough to beat. I'd like to play my best more frequently, and that's the whole idea. That's why you make changes. I thought I could become more consistent.
Winter has caused damage everywhere: meadow and forest are all grey, where before you heard many sounds. If I could see the girls play ball on the street, then bird song would come back. If only I could sleep through the winter! When I am awake I feel only hatred that his power is so far and wide. God knows, he even fights with May; I picked flowers where there is now snow.
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