A Quote by Johnny Weir

I design all of my costumes. I like to go out there and feel like I have contributed to every part of what I do. I choose the music, the choreographer, I've obviously chosen my coach, my costumes - all if that falls under my realm of power, my realm of influence.
Don't forget that costumes, like dreams, are symbolic communication. Dreams teach us that a language for everything exists - for every object, every color worn, every clothing detail. Hence, costumes provide an aesthetic objectification that helps to tell the character's story.
Someone's going to put the clothes on you, and part of being an actor is wearing costumes. Costumes tell you an awful lot about who you are, so you just, it's nothing.
When I get up in the morning, I go and I work with beautiful women and charming men and funny comedians and dramatic artists. And I'm presented with costumes and great music to choose from and sets. I travel a certain amount of places, so I've been living in a bubble. And I like it.
We said, as we were developing 'Iron Man 1,' and working on these films, that our characters need to be as interesting out of their costumes as they are inside their costumes, fighting and flying around.
Every day, every time I sing, I feel blessed, really, to be able to do that. It's like having wings, in a way. It's a bit like flying sometimes, because you go off into another realm. And a whole lot of people come with you. It's amazing.
I always like to be somebody scary. When I was little, my mom used to make our costumes. She's really creative and would make us great costumes without having to spend a lot.
A big part of the fun of working on Superman has been coming up with new characters and concepts to toss in, helping to design their costumes, things like that. And I spent ages coming up with the name 'Fortress of Solidarity,' so I want to get as much use out of it as I can!
No matter how frustrated you may feel, there is always a way out. In every situation that arises, we choose to be powerful or powerless. It may not always feel like it, but it is a choice. And there are consequences for these choices in terms of the results we get, and the subsequent increase or decrease in our power and influence. If we choose powerlessness, it is often because we doubt there is any other option.
It sounds a cliche but when I'm on stage I'm at my most relaxed, I feel most like myself. When I have the music and the costumes and everyone else around me, that's when I feel most free.
Politics and power is a realm of relative influence.
I'm a really artistic person, and so, with the live stuff, there's a lot that I think is really cool. Beyonce and Rihanna have all these dancers. So with the live costumes and video costumes, I'd really like to have my vision. The way that I want people to dress is very specific. I love fashion.
I'd say probably the most expensive costumes I've ever made were the costumes in 'The Planet of the Apes,' because of the research and development that went into them and the amount of layers.
I love people who expect me to wear great, feathery costumes- and I do it. It's like an actor getting into his costume for his part. I don't really feel that part until I'm into whatever I'm going to wear.
Human society is the embodiment of changeless laws which the whimsicalities and circumstances of men and women involve and overwrap. The realm of literature is the realm of these accidental manners and humours--a spacious realm; and the true literary artist concerns himself mainly with them.
'The Shining' is operatic and sensational and... really shocking. It has this amazing meld of classical music and modern interpretations of classical music, and incredible imagery. From the set design to the costumes, there's so much to unpack.
I like to choreograph and create and design the costumes and do it all and then step back and watch it and then move on to the next project.
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