A Quote by Johnny Weir
When you have an audience standing and screaming the entire way through the short program and cheering every element you do, whether it's footwork, or spin, or a jump, to have that kind of emotion coming at you from every direction in the building, it's the most amazing sensation you can get as a sportsman.
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I have great artistry, I can spin well, I have good footwork, and I can jump. I can do the quad jump, and I've done it multiple times in competition. It's definitely a jump that I have in my arsenal. I like to think of myself as the complete skater.
As long as the crowd make noise, I will be in my element, whether it is booing or cheering. The main thing is I get a reaction of some kind.
Acting is a way to escape who you are for a short period of time. It doesn't happen all the time , but every now and then, the sensation of being 'other' is very profound. You get this moment where you are no longer yourself. You lose consciousness of the crew or the audience... it's a thrilling moment. And even quite spiritual.
My audience is often hands-up, standing and cheering and on tables and all of that kind of things.
Relationship and connectedness are the pre-condition for change. Every meeting, every process, every training program has to get people connected first. Otherwise the content falls on deaf ears. So small groups are an essential building block to any future you want to create.
We still have that same burn, to get that same kind of laughs. So whether the studio wants us to or not, we're going to do it. The money is just a byproduct of coming out with good stuff. Our whole thing is building that rapport with the audience.
I try to live the moment and not obey laws, rules, conventions, or norms; to react to a sensation, a feeling, or an emotion. You can't program emotion.
We still have that same burn, to get that same kind of laughs. So whether the studio wants us to or not, were going to do it. The money is just a byproduct of coming out with good stuff. Our whole thing is building that rapport with the audience.
'Jersey Boys' has been the most amazing experience ever and has exposed an entire new audience to the music. It's great to see people of all ages coming to the show.
The way 'Coming Home' uses music in general is incredible, but the final song that really kind of crescendos all of the emotion that the whole movie has kind of been building to is this song called 'Once I Was' by Tim Buckley.
Our fan base in Toronto is crazy. Every single night we sell out. The fans come there and support us and they do a great job of coming out cheering loud and showing their passion and electrifying the building.
Everything I've been thinking, every vision, even down to every shot I throw, it just ends up here in reality. Whether it was in a fight and how to react or whether it was in a stadium with screaming fans or whether I was in a fancy car or the best clothes ever, I always put myself somewhere.
I performed six concerts all over the U.S.S.R. during the time of Gorbachev. The entire audience was Russian. There were no Indians. Period. The audience turned out in large numbers and gave standing ovations to all my songs. They knew each song. That was an amazing experience.
Every time I would arrive in China I would go through a few days of depression from being reminded of both short-term and long-term ruin; the ruining of the city that is happening in the short-term, and the ruining of culture and history that has happened over decades. When you see a building that says so much about the culture that built it being destroyed, there are a lot of emotions. You feel a lot of anger when you see a building being destroyed and realize that it's just a small part of what's going on in the entire country.
Autism isn't something a person has, or a shell that a person is trapped inside. There's no normal child hidden behind the autism. Autism is a way of being. It is pervasive; it colors every experience, every sensation, perception, thought, emotion and encounter - every aspect of existence. It is not possible to separate the autism from the person – and if it were possible, the person you'd have left would not be the same person you started with.
Shatner will spin lines in ways you don't see coming - he winds the audience down like a spring and hits the line so hard, they erupt. It's amazing to watch actually.
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