A Quote by Johnny Weissmuller
I could make good time because I was so long and skinny, shooting through the water like a stick.
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I'm the way I am now because I was bullied when I was the lanky, gangly, skinny kid. I was the guy who would flick everybody off, and my middle finger was this skinny, long stick. I got picked on because of that.
My first contract with WCW was, like, $70,000 a year. I didn't know you could make that kind of money doing this. I was like, 'Wow. I think I'm going to stick around for a long time.'
Being stick skinny to the extent where you can see your bones through your skin is not a good look. You don't need to be that to be beautiful or to be perfect or to fit in. Who you are is exactly who you should be. You can't let other people dictate your life or how you feel about yourself because then you're not living.
Literally, people probably came up with a budget and said, 'It'll be cheaper if we cut down the prep,' but it's not cheaper, because then you're shooting, you're fumbling through the movie and you are prepping at three times the cost because you're quadruple-time as you're shooting and then prepping after you're done shooting.
When a man is shooting a handgun, it's just like he is shooting because that's his job, and he has no other choice. It's no good. When a girl is shooting a handgun, it's really something.
In order to make Alma innocent and open, I had to forget that I'm stressed as an actress because I'm making a film with Paul Thomas Anderson. I had to let go of everything and hold onto the text. The language was like a rope I could cling onto and make my way blindfolded through the shooting.
Just as a line drawn on water with a stick will quickly vanish and will not last long; even so, brahmins, is human life like a line drawn on water. It is short, limited, and brief; it is full of suffering. One should do good and live a pure life; for none who is born can escape death.
I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.
I do feel grateful, and I love what I'm doing, and I'm happy, and I'm living in the moment, but I also have my eye on the long game and the big prize, and that is just to make this a life-long career. To make a big enough impact on everybody to stick around for a long time.
If you can whistle the melody, then the song will stick. But if you need a bunch of machines to make it sound good, you're probably not writing anything that's going to last a long time.
Flying over New Orleans on our approach, I got it. There was no view of land without water - water in the great looming form of Lake Pontchartrain, water cutting through in tributaries, water flowing beside a long stretch of highway, water just - everywhere.
I keep a lot of my problems bottled up inside me. That's why it's good, it's bad because I go through it, but it's really, what the fu*k I'm going through. That's why I ain't able to cry, I could try to make myself cry and it won't happen. But at the same time somebody could hear my song and they gonna cry for me.
My introduction into making records was through a sampler, and that's what I did for a long time. And through doing that over a period of time and kind of coming out of it, I've realized that one of the reasons it works so well for me, one of the reasons psychologically I took to the process so well, was because I'm a problem-solver by nature. If you stick me in a void, I don't do so hot. As soon as there's one little thing to spark an idea, and then I have something to bounce off of - then I'm all right. But until I have that, like in that void, it's kind of hard.
There was nothing worse you could be than a tweener. There was nothing worse you could be, and there were so many good guys that were so good that were tweeners, and they couldn't make it... And when you got that label, it was going to stick. It's like getting branded.
I usually tried to stay in the net for 45 minutes, half an hour longer than most batsmen would stick at the county nets. There was a reason for this so-called gluttony of practice: it was a conscious effort to make myself concentrate for long periods of time in circumstances as close to the real thing as I could make them.
I live in Hawaii part time and love shooting the ocean, both long exposures that capture the movement of water and with a fast shutter speed to freeze the power and force of a wave.
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