A Quote by Johnny Winter
When I was about 12, I knew I wanted to be a musician. The blues had so much emotion and so much feeling; if you don't have that, you're not going to be good at it.
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I was 12, about to turn 13. [Laura Ziffren] pretty much knew she wanted to use me, so I just had to go and do the proper protocol and audition.
When I began designing my Spring '13 collection, it wasn't even Spring '12 yet. Snow was actually still on the ground in New York, but I knew I wanted this particular spring season to be freer, more colorful, easier, more about feeling good, and I wanted there to be a sexier feeling than we've been known for in the past.
The whole of life itself expresses the blues. That's why I always say the blues are the true facts of life expressed in words and song, inspiration, feeling and understanding. The blues can be about anything pertaining to the facts of life. The blues call on God as much as a spiritual song do.
I had a real feeling of being fated to be an actor and do my work, and I remember so much speaking up in a room full of people who authentically knew as much or more than me, and feeling like I was absolutely equal, and what I had to say was important.
But in my defense, I knew enough about her to know I wanted to know everything else; I knew as much about her as she wanted me to know; I knew as much about her as anyone ever knows about anyone. And isn't love just curiosity at the beginning anyway?
Blues and soul and jazz music has so much pain, so much beauty of raw emotion and passion.
I usually know the general emotion of a song, or the general feeling of it, and then I think I just get so excited by the act of recording. I love that process so much that I feel like if I knew exactly what I wanted I'd arrive at something too soon.
In the same way I wanted to learn how to play poker, I've always kind of been into the blues. It just seems like a cool thing, but I didn't know much about it. So I thought, 'Hey, let's really learn about the blues.'
I had starred in TV movies without much artistic value. They gave me a certain range. I knew that I was going to continue my studies, but I wanted to try something else on the side. I wanted to see what would come of it.
I knew I wanted to be some kind of artist from about 12. I met a neighbour who drew cartoons, and I had an idea I wanted to be a cartoonist - or something that involved Indian ink, at any rate.
I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world.
I was, from early on, interested in science. And my parents were very obliging about that. My father used to take me to the museum of natural history, and I knew much more scientific stuff early on. From the time I was 11 or 12, I wanted to be a mathematician.
I haven't changed my views much since I was about 12, really, I've just got a 12-year-old mentality.When I was in school I had a brother who was into Kerouac and he gave me On The Road to read when I was 12 years old. That's still been a big influence.
I just always knew that's what I wanted to do. I wanted to be a musician. I never had any doubts.
I came here from Romania when I was 12 years old. I had an accent. High school was tough a little bit for a few years. I wanted to fit in. I wanted to be liked. I wanted to be good-looking. I wanted to be popular. I spent a lot of time thinking, 'What are these people going to think of me?'
When I was in 4th grade, my mom was diagnosed with oral cancer. It was not looking good, it was serious when they found it. Obviously, I didn't know much about what was going on. I remember feeling a lot of guilt about it, feeling like I somehow contributed to it. I think that's just something that kids often do.
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