A Quote by Johnny Winter
Jimi was always at The Scene when he was in New York and we played many times together. He was just everywhere - he went out and jammed everywhere he was.
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We can see, from California to New York, from Maine to Florida, Seattle to New Mexico - everywhere there are women's groups. Everywhere there are women who have gotten together to examine global warming, and women who have gotten together to prepare each other for single parenting - there are women who have come together to be supportive to those whose mates are in prison, male or female, partners are in prison. All sorts of gatherings of women. I mean, I'm just celebrating my 80th year on this planet, and I look back 50 years ago and there was nothing like that.
He was Jimi Hendrix! He didn't sound like anybody else but himself. He was like Charlie Parker in his way of playing, he played well, he was a person that made waves. When you heard Jimi Hendrix you knew it was Jimi Hendrix, he introduced himself in his instrument... You know, many radio stations play records and a lot of the times they don't call out the names who you just listened to, but when they play Jimi Hendrix, you don't have to tell me, [you know] it's Jimi Hendrix.
I get I style inspiration everywhere: the streets of New York, magazines... everywhere!
I walk out my front door in New York and I'm out on the street and there are people everywhere. L.A. is so much more spread out, so it's really easy in L.A. to have a little more isolation and to just not see as many people.
People don't talk about small-town racism in Illinois or upstate New York. They're like, 'It's the South.' And it is. It's there. But it's everywhere. But everywhere, there are also amazing people.
I can go anywhere. In fact, for 'Three Billboards,' I was just getting on trains around America. I wrote everywhere from New York to New Mexico. I always write with pencil and paper.
I started in theater when I was 14 in the Henry Street Playhouse on the Lower East Side in New York. You hustle, you beat the sidewalk, the pavement - audition, audition. I just started working around town everywhere. I mean everywhere - the Village, Harlem, you know. Brooklyn Academy Of Music. Just job after job.
Andy Timmons is someone I've jammed with many times over the years, and we always have a great chemistry when playing together.
All people talk of money sometimes, everywhere. But not for all people, everywhere, is money the addiction, the obsession, the stimulant, that it seems to be in New York. It is a large part of the clamor, and it is the voice - quite literally - of the man in the street.
I always sort of talk about - to myself at least, or to my friends, about wanting to just keep life very simple. I've found it most simple here in New York. You know, it's basically I have a, in a way, a 9-to-5 job, you know? I do eight shows a week. I live in New York City. I get to walk everywhere, and you know, just be one of the people of the city. And it's actually wonderful.
There's a lot about New York that is unique, and there's always a culture and a subculture going on everywhere.
When I was in New York, I took my bike everywhere for transportation. I didn't have a fixed-gear bicycle, like a lot of the messengers do, but I had a stripped-down deal - having lost a few good ones in New York - and I did 10 to 15 miles a day just getting around the city.
When I was a drunk, New York was the greatest place in the world. You walk everywhere, everything is open until four in the morning, and people go to New York looking for debauchery.
It sounds really over the top to say you're responsible for the city of New York, but I do feel responsibility to the city of New York, to this country, to people everywhere. So many people were affected by the events of September 11, and I feel this is one of the ways that that event will be understood and defined.
When I was a kid, I was into hardcore music. The scene in New York was tiny. Every person hanging out was in a band and played at the A7 Club. There was not much rehearsing or anything. Just doing.
Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
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