A Quote by Johnny Winter
T-Bone Walker was a big influence on just about every guitar player around.
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Growing up in Dallas, my first influences on the guitar were T-Bone Walker and Les Paul. T-Bone taught me how to play lead guitar behind my head and do the splits in 1951 when I was nine.
And a lot of the technique and the little T-Bone phrases that define his style, Chuck Berry, when he rearranged the beat, they became rock 'n roll guitar licks. So in essence, T-Bone was not only the first electric blues guitar player, but he was the first electric rock 'n roll guitar player, really.
I forget what the official name of it was, but they did an all-day of roots music - every kind of music you can imagine from around the country - New Orleans Jazz to Indian flute players, R&B, you name it. I met and became good friends with (blues guitar player) Joe Louis Walker. He was on the show.
So, really, I just try to be the best guitar player I can be - not the best female guitar player, not the best 'X amount of years' guitar player, or whatever - just the best guitar player.
I think guitar-wise, Eric Clapton was a big influence on me. I got to spend time around him. He's kind of strange, mysterious, serious and he always has played such hot guitar.
As a player, you play and you have much more influence. As a manager, you talk about the game all week with every player and all of a sudden when it starts, your influence is so small and it was very difficult for me to accept that.
In my own musical existence I don't feel that being a guitar player is like the best thing on earth to be. I would rather be a balanced musician. Playing in a group, I'm tending to think more about the music and less about the guitar. That's just me getting older. I'm not interested in being a virtuoso guitar player or anything like that.
My dad is obsessed with music, so I was raised around this guitar player that really wanted me to be a guitar player.
My dad is obsessed with music, so I was raised around this guitar player that really wanted me to be a guitar player. One of my earliest memories is him kind of forcing a guitar on all my brothers and me. You know, "You have to practice three hours a day!" I hated guitar at the time. I kind of picked up trumpet to spite him.
The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
I could care less about sitting around and practicing the guitar for hours a day and trying to be the best guitar player on the planet.
If T-Bone Walker had been a woman, I would have asked him to marry me. I'd never heard anything like that before: single-string blues played on an electric guitar.
Tony MacAlpine not only plays guitar, but is a stunning classical piano player, so he can show how that influence molded his guitar playing.
I am, by nature, a guitar player... I learned all of these other instruments around that, and around the theory that I built learning the guitar.
We didn't sit around the dining table talking about Madam Walker, but the silverware that we used every day had her monogram on it and our china for special occasions had been Madam Walker's china... and the baby grand piano on which I learned to read music had been in A'Lelia Walker's apartment in Harlem during the Harlem Renaissance.
I'd always had an interest in guitar from about seven years old. But I first actually had lessons when I was about fifteen in Scotland, in Edinburgh. There was a folk club there and a girl called Jill Doyle taught me the guitar, who happened to be Davey Graham's sister. Davey Graham is one of my heroes and always has been. Fantastic guitar player. And he's had a strong influence on me all the way through.
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