The fans want to see more. They're there to see fights, they want to see more, they want to see people get put unconscious, whatever. But you can't get put in those spots.
I feel like when the public, when the fans are ready to see me fight for the title, whoever they want to see me fight, then that's what I need to do cause that's my job.
I don't think that I have much power at all, and I don't think that I'm trying to do anything outside of making my fans happy with the music that I write and record and, of course, I want to branch out and I want to have more fans, so I try to get interviews and I try to talk to different outlets and I try to get my music everywhere it can be.
I'm the only one that put out 200 songs, and [fans] listen to all of 'em. I don't care who you talk about down south, Boosie gonna win. I'm the only one to put out a whole album, with more songs, so I don't care who said what. The fans tell the truth. I got real fans - more fans than everybody, so Boosie gonna win.
The live events are more interactive for the fans. With TV, you have the cameras there, commercial breaks where the fans can tell there's a down moment. At the live events, it's non-stop. We get to play with the audience; the crowd gets to get involved a little more. It's a very intimate feel.
I understand you always want drama leading up to the fight. You want whatever publicity you can get for it. It's more appealing for fans, for media for everything.
F1 has to keep appealing to sports fans and not only to motor racing fans but to possibly a wider public... I don't know if it's only social media or different electronic devices that will do that. How to establish more of a personal link to the drivers and to the teams - these are things that you have to think of.
When you are in the public eye, in the name of public service, you have to understand that the more people know about you, and the more people say they want to support you, the more you have to work even harder to uphold that trust.
Like everyone else, I don't want it to get too far away from the racing because as time progresses, we're trying to get new fans and still keep the old fans and we've still got to have the racing.
The fans in the United States, they are, well, more polite. The fans in Argentina can get wild, crazy. If you meet people in a restaurant, it is fine, but when they get in groups, woooo - it gets dangerous.
Yeah, um, I do twitter because I want people to, you know, get to know me, my fans, or my fans to get to know me, you know, just see what type of person I am. You know, hopefully be more on an intimate level with me as opposed to a distant level.
Just do Conor McGregor-Nate Diaz 3 for the 165-pound title. You want to talk about a big fight? That's a big fight. Let's add some weight classes. Let's see more champion versus champion. Let's get some more two division champions.
You see the images that the public is demanding. Why more reality-based TV? You'd think that after the first Survivor it would have gone away, but it hasn't. The public demands it because they get all caught up in the personal stories, and want to see more and more.
I think fans going to concerts expect more today in terms of meeting and things. It's cool - I get it because of how the Internet has made things much more personal for fans to follow with Facebook, Twitter and everything - but I also think it's kind of hindering because it takes from the music in a way.
Hanson has rapid female fans, which I'm completely proud of, but a lot of fans are a contingent that have grown up with us really - our peers. There's younger fans. More and more guys are Hanson fans, musicians or kind of guys who were into a Beatles record.
Hanson has rapid female fans, which I’m completely proud of, but a lot of fans are a contingent that have grown up with us really - our peers. There’s younger fans. More and more guys are Hanson fans [but they’re] musicians or kind of guys who were into a Beatles record.