A Quote by Joivan Wade

I bumped into Mike Epps in a barber shop. I was in the Warner Brothers studios trying to find my way for an audition and director Jordan Peele was just standing talking in a corner, so I had to introduce myself.
All I know is I've had an overall deal with Warner Brothers Television since the 'Smallville' pilot; that was my first pilot for Warner Brothers Television. I have to do pilots for them, but I get a chance to spend time and find the people that work best with me.
I'm first and foremost a company man, surprising as that is. I love Warner Brothers. That's where I have a deal. That's where I've been for years. So I don't really interact too much with other studios and do things with other studios and I don't necessarily read scripts from other studios.
One time I said to Jordan [Peele], in a text, "I will pick you up at 2:30. So if you're just standing out in front of the building, we'll go from there to the next meeting. Cool?" And my man just writes, "Wordness to the turdness."
We share plates [with Jordan Peele], and we also very often will sit in the corner and kind of speak in our own language.
Whatever you hear at the barber shop, stays at the barber shop.
When you go into your customary barber shop, you will wait for the man who gives you a little better shave, a little trimmer hair-cut. Business leaders are looking for the same things in their offices that you look for in the barber shop.
When I started at Pratt, Spike Lee had his 40 Acres and A Mule studios down the street. You'd see Rosie Perez walking around going to Mike's Coffee Shop. So it was this black bohemian.
The Canary Islands offer special incentives to companies looking at potential filming locations, so it was only logical for me to help the local government make connections with major U.S. film studios like Universal, Fox, Sony, Disney, Paramount, Time Warner, 21st Century Fox, CBS, Viacom, Comcast, HBO, Netflix, Warner Brothers etc.
Take your ass to the barber shop. Tell the barber that you're sick of looking like an asshole.
You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. film.'
For my very first movie, 'Roger and Me,' I made it as part of my deal with Warner Brothers that the four people that were evicted in that film, that Warner Brothers would house - would pay their mortgage or their rent for the next two years to give them a chance to get on their feet.
In 'Hope Never Dies', the fictional Obama and Biden go up against drug traffickers, outlaw bikers, and other seedy opponents. They're forced to use skills they didn't know they had. Or, to put it another way, unlike Jordan Peele's Obama, this Obama doesn't need an anger translator.
I mean, I've sold all these scripts and nothing's been made. Studios have closed, stars have died. I had a director find Jesus. And the pictures just don't get made.
I don't have any beauty shop memories. I remember the barber shop.
Don't blame me for the fact that competent programming, as I view it as an intellectual possibility, will be too difficult for the average programmer, you must not fall into the trap of rejecting a surgical technique because it is beyond the capabilities of the barber in his shop around the corner.
I've had a couple opportunities where I've been on the other side of the audition process as a director, so it's really reassuring to me that it's just about who is right for that role and less about if you ace the audition. It's just about getting to know people, not about who's a better actor a lot of the time.
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