I hadn’t realized that music could unlock things in you, could transport you to somewhere even the composer hadn’t predicted. It left an imprint in the air around you, as if you carried its remnants with you when you went.
I wanted to be a film composer because I heard scores that could stand alone, from 'Vertigo' to 'Star Wars' to 'La Dolce Vita,' because this music has so much history. They're weighed with the history of music. They come from somewhere, they have a past.
'Sherlock' is one of the biggest things I will do, ever - we could never have predicted that level of insanity around the series.
I was thinking about the NBA after my fourth year, but I also realized I could get my master's paid for and have another year on the court to raise my draft stock even higher. I felt if I could do those things, I could have my cake and eat it, too.
A few years ago, I had an interest in making things that felt more like "pieces." That was when I was making a lot of stuff that you could call beats, and it dawned on me that I could say much more nuanced, precise things if I tried to make them more composed. It sounds a bit corny, but I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.
I read somewhere that we are all more than we know. And I really believe that. Everybody is worth something, and think of all the amazing things that you could be to each other, to people you don't even know, of all the things that you could accomplish.
If a composer could state in words what being a composer means, he would no longer need to be a composer.
I think there was a point that I realized I could do what I wanted to do in terms of the drawing. I used to run around a lot of things. I would shy away from certain things that I realized would be horrible for me to draw, and just wouldn't be fun.
Every time I see a film or TV show, I think about how that composer made those choices and how that director envisioned music and how that could work onstage or in a film and how you could support that even further by putting lyrics to it.
I realized I could do music for the sake of music, not the other things that come with it. That was a major shift.
I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them.
Have you ever realized that you can give things to God that are of value to Him? Or are you just sitting around daydreaming about the greatness of His redemption, while neglecting all the things you could be doing for Him? I'm not referring to works which could be regarded as divine and miraculous, but ordinary, simple human things - things which would be evidence to God that you are totally surrendered to Him.
Once we had a rail station in Montgomery that connected to Columbus and went all the way up to Virginia, slave traders could transport thousands of slaves at a fraction of the cost than they could transport by boat, and certainly by foot. And that's how Montgomery became such an active slave-trading space.
We go into rural communities and all we do, like has been done in this room, is create the space. When these girls sit, you unlock intelligence, you unlock passion, you unlock commitment, you unlock focus, you unlock great leaders.
They carried all they could bear, and then some, including a silent awe for the terrible power of the things they carried.
'Elf' has become this big holiday movie, and I remember running around the streets of New York in tights saying, 'This could be the last movie I ever make,' and I could never have predicted that it'd become such a popular film.
By the mid-'60s, recorded music was much more like painting than it was like traditional music. When you went into the studio, you could put a sound down, then you could squeeze it around, spread it all around the canvas.