A Quote by Jojo Moyes

Rejection is part of the process, so you can't let it crush you. My first three novels never made it into publication, but my fourth, 'Sheltering Rain,' was translated into 11 languages.
The journey that 'In Praise of Slowness' has made since publication shows how far this message resonates. The book has been translated into more than 30 languages. It appears on reading lists from business schools to yoga retreats. Rabbis, priests and imams have quoted from it in their sermons.
It is my huge pleasure that my novels are translated into languages that are read among small numbers of people.
I urge aspiring writers to write three full-length novels before contemplating publication.
Lately I've been thinking about the idea that all novels are, at least in some way, about the process of writing a novel - that the construction of the book and the lineage of people constructing novels are always part of the story the author is telling. I think the equivalent for memoir should be that all memoirs are, in some way, about the process of memory. Memoirs are made out of a confusing, flawed act of creation.
My books have been translated into various languages and sold in other countries, but I never have any contact with the foreign publishers and am so disconnected from that process that it seems almost imaginary. With 'How to Save a Life', I worked closely with Usborne editors and have been involved in the publicity.
I'm saying that an editorial process that is preparing the material for publication counts as part of the inspiring process whereby God, in his sovereignty, gave every word.
Science advances by trial and error. When mistakes are made, the peer-review publication process usually roots them out. Cuccinelli's version of the scientific process would be "make an error and go to trial." Einstein did not arrive at E=mc2 in his first attempt. If he were working in the state of Virginia under Cuccinelli today, he could be jailed for his initial mistakes and perhaps never achieve that landmark equation.
Im saying that an editorial process that is preparing the material for publication counts as part of the inspiring process whereby God, in his sovereignty, gave every word.
To me, fair friend, you never can be old, For as you were when first your eye I eyed, Such seems your beauty still. Three winters cold Have from the forests shook three summers' pride, Three beauteous springs to yellow autumn turn'd In process of the seasons have I seen, Three April perfumes in three hot Junes burn'd, Since first I saw you fresh, which yet are green.
The first problem of the media is posed by what does not get translated, or even published in the dominant political languages.
I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot; the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.
It was always very important for us that we presented ourselves as a band, because it's a three-part writing process and it's a three-part decision making process, it's not two producer guys and a girl that sings the songs. It's startling how many people make that assumption.
I have read all my novels that were translated into English. Reading my novels is enjoyable because I forget almost all the content in them.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
I'm tempted to say that the top three reasons for hopelessness are rejection, rejection, rejection. But let's cast our net wider. 1) Not being able to write as well as we hoped we could. 2) Not being able to write at all. 3) Rejection.
I’d recommend learning to accept rejection. Become friends with rejection. Be nice to rejection, because it’s a huge part of being a writer, no matter where you are in your career.
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