A Quote by Jojo Moyes

Chick-lit may be staggering on its heels, but women's fiction is alive and kicking. — © Jojo Moyes
Chick-lit may be staggering on its heels, but women's fiction is alive and kicking.
I don't think anyone sits down and thinks, 'I know, I'll be a chick-lit writer.' You write the book that you want to write and then other people say, 'Oh, that's chick-lit.' You say, 'Okay.' But it's not like you look around and go to a careers fair and there will be someone at the chick-lit author stand.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
Much-derided chick lit, chick flicks, and chick magazines have left ambitious women in a bind. Why is it that I, a young woman, can read GQ, enjoy Fight Club, and subscribe to Thrillist, while the idea of a guy doing the same with Glamour, 27 Dresses and Daily Candy is nearly unheard of?
Much-derided chick lit, chick flicks, and chick magazines have left ambitious women in a bind. Why is it that I, a young woman, can read 'GQ,' enjoy 'Fight Club,' and subscribe to 'Thrillist,' while the idea of a guy doing the same with 'Glamour,' '27 Dresses' and 'Daily Candy' is nearly unheard of?
It's like if a young woman writes it, then it's chick lit. We don't care if she's slaying vampires or working as a nanny or living in Philadelphia. It's chick lit, so who cares? You know what we call what men write? Books.
I can say that if you're a writer who happens to be a woman, you'll get a book cover that depicts a woman with no head, or a woman turning away, or a pair of high heels. You have to fight to not get stuck with these covers. In the U.S. women are chick-lit writers unless they prove otherwise, and that's frustrating.
My feeling about my own work is, I could be writing 'The Aeneid' and they would still have to call it chick lit or mommy lit or menopausal old hag lit.
That whole idea of chick lit being a thing that you just lump all the commercial female writers into - it went on for years.I'd switch on the radio, and I'd hear, 'Two female authors are here to discuss chick lit - is it dead?' and I'd think, 'Argh, no, not again. Are we seriously still having this conversation?'
I don't read 'chick lit,' fantasy or science fiction but I'll give any book a chance if it's lying there and I've got half an hour to kill.
I teach a lot of graduate creative writing classes, and on the first day, I like to go around the room and ask everybody what's the last book you've read that you really loved. And all of the women tend to give me chick lit titles. And to me, that's sort of disappointing because it's their only exposure to fiction somehow.
One reviewer dubbed my first book, 'Getting Rid of Matthew,' 'chick noir,' and another called it 'anti chick lit,' both of which I loved.
I've always read broadly: literary fiction, sci-fi, fantasy, chick lit, historical, dystopian, nonfiction, memoir. I've even read Westerns. I prefer female protagonists.
For me, 'Bookends' marks the start of my foray into commercial fiction, away from what has always been thought of as more traditional chick lit - single girl in the city trips around in Manolos looking for Mr. Right.
Literary fiction is kept alive by women. Women read more fiction, period.
Most fiction says you may or may not be alive tomorrow; science fiction talks often about the future.
The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.
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