A Quote by Jojo Moyes
Unless you sell millions, I think it's very hard as a writer not to feel anxious about what you put out. I always feel I could do better.
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I'm always anxious when it comes to my kids. This always makes me feel very vulnerable. Sometimes you think you aren't a good mama, you always feel a bit guilty when you're a mom. You want to be everywhere.
I don't think I'm your typical rock-hard ripped girl. But that's what I love and embrace about myself. I feel good, but I always feel like I can be better. That's what I thrive on.
It's very hard to feel the difficulties that the military goes through. It's very hard to feel the difficulties of military families, unless you're in that environment. And sometimes you have to force yourself to try and put yourself in other people's sort of shoes and environment to get the sense of that.
The word 'improv' always makes me feel a little anxious because I always feel like we'll have to pull props out of a bag and find 800 different ways to talk about a stick, the way you do in theater school.
Even though I now know that it's likely the Earth will suffer through mega-volcanoes or meteor strikes that could take out millions or billions of people, I feel less anxious about it because I actually understand what the threats are. There's nothing like researching something exhaustively to make it less terrifying.
To be a modern person in 2012, you are often required to have some electronics in your life. And I do. I try to put that phone down, put the computer away, and get out there and hike in the woods; feel it in my feet, feel it in my hands; get out in the garden and feel the soil under my fingers, my fingertips and my fingernails. I try to be involved in nature in a very tactile way. I think that's important.
Occasionally I was so much better that I could go out; but the streets used to put me in such a rage that I would lock myself up for days rather than go out, even if I were well enough to do so! I could not bear to see all those preoccupied, anxious-looking creatures continuously surging along the streets past me! Why are they always anxious? What is the meaning of their eternal care and worry? It is their wickedness, their perpetual detestable malice-that's what it is-they are all full of malice, malice!
For this the Gospel offers us a serene way forward: using the three languages of the mind, heart and hands - and to use them in harmony. What you think, you must feel and put into effect. Your information comes down to your heart and you put it into practice. Harmoniously. What you think, you feel, and you do. Feel what you think and feel what you do. Do what you think and what you feel. The three languagesTo think. To feel. To do. And all in harmony.
I know in my soul when something feels like a sell out and I think for me, I knew that if I did the Jane's Addiction reunion thing, that I would feel like a sell out. That's how it would feel to me.
I guess I still feel that way and yet I'm slightly hesitant to insist on that idea, that it "better be fun for the writer." Or rather, that if it is, then the pleasure is a sign that it's good. Maybe I feel I've read that somewhere, other writers saying it, and I just think there is possibly no formula, and I don't like to read an interview with a writer where they just lay out the doxa of what quality is. It can seem brittle to do that.
I can be a fairly hands-on editor, and when I'm editing someone I feel intensely invested in that writer and her work. I love helping to shape a book, and I feel very privileged to get to do that with writers I'm excited about. I think doing that work for the past six years has changed me, and it better prepared me for the questions and suggestions.
I hate that there'll be moments in my day and I'll be patting down my legs trying to find my phone. I hate how anxious it makes me feel when I don't have it. When I go on holiday, or I go back to Australia, I put my phone in my bag and I don't worry about it; I think differently and I feel less stressed.
I always try and find new things to think about and address. That really opens you up as a writer. I can write a lot of what I feel and it helps put it into clearer perspective.
I feel the same way about every album. I think it's better than the one before. I have a strong feeling that you can't put out a record until you hate the last one you did because you have to make it better.
You always feel very vulnerable when you put your work out there. You feel a kind of nakedness. And you expose something of the inner workings of the way you experience life.
When I'm editing my work, I'm looking for everything to fit, to feel seamless, for every detail or line of dialogue or scene to feel necessary and organic. I approach the writing of others in much the same way while always working to preserve the writer's voice. To allow myself to be vulnerable on the page, I tell myself no one is going to read my work. There's no way I could put myself out there otherwise.
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