A Quote by Jon Batiste
I'm from New Orleans, which is all about direct engagement out in the street with all the parades and Mardi Gras Indians and jazz funerals. I'm trying to take that and put it into my generation, a group that doesn't have enough joy and celebration in their lives.
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From the food to the Mardi Gras Indians to the brass bands and the second liners parading through the street, Jazz Fest presents New Orleans in one place.
Jazz came out of New Orleans, and that was the forerunner of everything. You mix jazz with European rhythms, and that's rock n' roll, really. You can make the argument that it all started on the streets of New Orleans with the jazz funerals.
I'm from New Orleans, and we have a Mardi Gras group called the Chewbacchus. It's celebrating all things geeky: science fiction, fantasy, 'Star Wars,' 'Doctor Who,' 'Men in Black,' 'Ghostbusters,' everything.
My family's business was actually an amusement park in New Orleans. My grandfather had started that, and my grandmother was a dance maven in New Orleans. It was just the theatricality and the Mardi Gras and the pageantry that I fell in love with at an early age.
Ozzy Osbourne and Motley Crue in New Orleans on Mardi Gras = bad idea!
An American has not seen the United States until he has seen Mardi-Gras in New Orleans.
It's always on everyone's list, like, 'What's New Orleans like?' I think people have a pre-conceived idea, like it's just Mardi Gras and Bourbon Street. But really, there's so much culture, the music's great, the food's great. It's not good for the waistline! But I'm actually from the South, I'm from Georgia, so the weather doesn't bother me.
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
We've never done a coordinated music effort. Everything else we've done has been around a holiday - Halloween, Mardi Gras, half way to Mardi Gras, St. Patrick's Day.
Normally when you go to a queer space the people often look like you, they are the same age as you and so on, but at Mardi Gras and at queer events in general, everybody is different, everybody comes together. And that is what I love about Pride and Mardi Gras and those sort of events.
In the dining room, next to my collection of colorful papier-mache Mardi Gras float art, hang draperies made of the New Orleans toile fabric that I designed pre-Katrina for Hazelnut.
Mainstream media tends to showcase a very specific kind of Mardi Gras, but my experience of Mardi Gras is very different; it's very cultural.
I love Mardi Gras. I'm a street rat.
It's not a giant thing, like graduation, Mardi Gras, Halloween or New Year's. We do get business from it. That's why we put stuff out; we don't skip it. It's our big thing for March.
It has been said that a Scotchman has not seen the world until he has seen Edinburgh; and I think that I may say that an American has not seen the United States until he has seen Mardi Gras in New Orleans.
Hot Boyz always shouted out a lot of things relevant to Texas so I connected with it. They were our neighbors and growing up we went to Louisiana every year for Mardi Gras, Bayou Classic and the Essence festival, so we grew up taking trips to Lafayette and New Orleans. Those were three annual trips.
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