A Quote by Jon Batiste

My whole way of looking at entertainment and audience engagement - and my ability to go from one genre to another - comes from my experience in New Orleans. — © Jon Batiste
My whole way of looking at entertainment and audience engagement - and my ability to go from one genre to another - comes from my experience in New Orleans.
It's time for us to come together. It's time for us to rebuild New Orleans - the one that should be a chocolate New Orleans. This city will be a majority African American city. It's the way God wants it to be. You can't have New Orleans no other way. It wouldn't be New Orleans.
Everywhere I go around the world, we have fans of New Orleans. Sometimes we go places, and people don't really know who we are, but they know New Orleans, and once we say we are from New Orleans, we have a lot of supporters.
I took many trips down to New Orleans trying to experience the city as deeply as possible. I'm from Detroit so New Orleans seemed very exotic to me.
When I am introduced as someone from New Orleans, people sometimes say: "I'm so sorry." New Orleans. I'm so sorry. That's not the way it was before,not the way it's supposed to be. When people find out you're from New Orleans, they're supposed to tell you about how they got drunk there once, or fell in love there, or first heard the music there that changed their lives. At worst people would say: "I've always wanted to go there." But now, it's just: "I'm sorry." Man, that kills me. That just kills me.
In fact, someone was telling me that Gladiator was the one film where Ridley Scott didn't take a producer's credit. And it won. But this guy changed the industry twice; with Aliens which was a whole new way of looking at things and Blade Runner that was also a whole new way of looking at things.
I do love science fiction, but it's not really a genre unto itself; it always seems to merge with another genre. With the few movies I've done, I've ended up playing with genre in some way or another, so any genre that's made to mix with others is like candy to me. It allows you to use big, mythic situations to talk about ordinary things.
Essence is something I always enjoy, because I love New Orleans. Since they brought it back to New Orleans, it's a special place to me. We been doing it since the beginning. We did it when it was in Houston, but there's nothing like New Orleans.
I think ultimately the goal is to try to bring a Super Bowl to New Orleans and that's the reason I signed that deal, because I have a great chance at winning another Super Bowl with the New Orleans Saints.
Genre is a really great shorthand you can have with an audience. In the same way you can use music to create a connection with an audience, it brings so much of their knowledge of what genre really is to the table. You have a shortcut to connect with them. I really like that.
In America, there might be better gastronomic destinations than New Orleans, but there is no place more uniquely wonderful. ... With the best restaurants in New York, you'll find something similar to it in Paris or Copenhagen or Chicago. But there is no place like New Orleans. So it's a must-see city because there's no explaining it, no describing it. You can't compare it to anything. So, far and away New Orleans.
I think the war movie genre is a very important genre in film. Film gives you a visceral experience of something that you would never otherwise experience. To give the audience a real feeling of what maybe a certain kind of warfare would be like I thought was great.
The Batiste family is a large musical family in Louisiana, out in New Orleans. People go to New Orleans, and if they go to any club, four days out of the week I guarantee you that you will find a Batiste playing in the ensemble.
There is a renaissance of really great genre entertainment happening. But it's become incredibly audience-specific.
There's also the tradition of voodoo, the Haitian magic arts, in New Orleans. And because New Orleans is below sea level, when they bury people in New Orleans, it's mostly above ground. So you have this idea that the spirits are more accessible and can access you more easily because they're not even buried.
I compare a lot of life to looking at a map through a straw. The less ability you have to see life in a humorous way, the smaller the straw is that you're looking at the map of life. You're not looking at the whole picture. You can't see the whole topography without it, and it can help you to make better choices.
I'm looking for stories that make me sit up and take notice. For engagement with language and style in ways that the genre doesn't see enough of.
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