A Quote by Jon Bernthal
I think it helps, as an actor, to never know when you're going to get that next script and you're done.
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I don't think it's necessary to be an actor to get great performances out of an actor. But I do think it helps me as a director because I know what I like as an actor, and I try to get that to the actors who I'm working with.
In a play, you know where you start and end and all the stops you have to do, but in television, you can't construct this carefully planned out arc for your character. You often get a script and you're shooting it two days later, and you don't know what's going to happen next. It's one of the harder things that I've done.
I've never done that [fighting for arole]. You hear about actors going in and saying, "You've got to let me read for this!" I've never done that. Lots of parts I've wanted and didn't get, but I think any actor would say that.
It's always once the script's done in the first two years if it doesn't get going somehow or another, I've never had an old script that someone's made later on.
When I get scored on or something doesn't go my way, I think of what I'm able to do and I'm reminded that I'm capable of doing it. I'm honest about myself - I know I'm not going to stop everything, so I don't try for perfection. I'm going to try to get there, but I know I'll never be perfect. I think that helps me to deal with everything.
I was an executive producer. I've done a lot of jobs and I think each one helps you get closer to what you want as a director. It also helps you - when you work with different filmmakers - to absorb, to adapt, to know what to watch out for, to know pitfalls.
I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, but it's very different from a script. A script you write, you shoot against, and you know what the story is going to be. There's always the element of surprise, but the surprise comes from performance, from something that's improvised, it comes from someone who sees it inside an already determined framework. In documentary, it's never determined. It's never the same, and affords enormous possibility.
I get letters from people saying one of the things they like best about what I've done since 'Bewitched' is that they never know what I'm going to do next.
We are not nouns, we are verbs. I am not a thing - an actor, a writer - I am a person who does things - I write, I act - and I never know what I'm going to do next. I think you can be imprisoned if you think of yourself as a noun.
The thing that I look for in a script- I'm not looking for anything next because you never know where life's going to take you so you can't just expect I want to do this next. So I'm not expecting anything, I'm just hoping.
The thing that I look for in a script - I'm not looking for anything next because you never know where life's going to take you, so you can't just expect, 'I want to do this next.' So I'm not expecting anything; I'm just hoping.
Nothing can really prepare you for live TV because you never know what's going to happen. I think, for me, what really helps is I know what I'm looking for when I'm shooting things, so it definitely helps to have that eye and know what camera you're looking at.
It's weird how an actor can read a script and think 'it's really good, it's really funny, that's going to be really dramatic...' and then you get there and say: "Oh, I have to get in it? I have to get in the water?! Are you kidding?"
It's really nice to be able to do something that you've never done. I think that's the gift of being an actor because I get to play a cop, a racist cop and I've never done that before. It's nice to inhabit these other worlds especially when you get to work with great actors.
If you make the All-Star team and you get the label next your name, for whatever reason, people will think, 'Oh, yeah, he's good now.' But if you don't have it, it's, 'Well, he's never made it, he's never done anything, so why would you think he's any better than this guy or the next guy.'
I'm just an actor. It's the way the script is written, and it's easy. I don't have think about it. When you receive the script, you know pretty well how to play it, apart from little technicalities like the accent.
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