Once I start to do a film, it has inferences. If a guy walks down a street and kicks a dog, you're saying something about that guy. A guy walks down the street and somebody's about to be run over and he shoves him out of his way and gets hit by the car himself, you're saying that guy's a hero. You can't avoid making certain statements.
I lived on the north side of Detroit. Right down the street from me there was a young man by the name of Smokey Robinson. I was very proud to live down the street from him because he was our only celebrity in town. He was singing with the Miracles.
People always say, 'How is it to be so successful?' I'm not successful yet. Richard Branson is successful. That's successful. Michael Jackson was successful. U2 was successful. I'm just a guy, doing okay. But I'm a happy guy doing okay.
The Dome is a metaphor that could mean anything - it could be nuclear fallout, terrorists - I've always been fascinated with stories where people's roles are flipped on their heads, be it the Wall Street guy, the techno guy, etc. All of those things are only successful when there are people and money around.
If you sold a million records, the only way you could be disappointed is if the guy down the street sold seven million. But you've got to start dodging bullets once you've sold that many records, because everybody wants to kill you. We're not in that position. We can still be very successful and not have to worry about wearing bulletproof vests.
I'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not "successful" art. I want to change laws around street performance.
Film is something that reaches so many people. How many people are going to go into a gallery? And understand what they're seeing? I think about the guy walking down the street, the guy who drove me here - this guy has the opportunity to go the cinema.
When you're walking down a street and you are a brown-skinned person or you're a person that lives in an immigrant community, there's no differentiating on - solely on the basis of what you look like. They don't walk down the street saying, hi, I'm an immigrant; I'm here legally or not.
What that’s allowed me to do is have a vantage point about my own life that's accessible to people still. I could see a guy walking down the street and be like, Even though I'm famous, I got more in common with this guy than, like, Brad Pitt.
For me, my number one guy would be Tanahashi from New Japan Pro-Wrestling. Like, watching him, like, this guy is a bonafide rockstar over in Japan. He can't even walk down the street without getting stopped, the way that he carries himself.
I have often walked down this street before but the pavement never held my star before... all at once I'm three stories high, knowing I'm on the street where it lives.
Mexico scares me. There's no law, there's wild dogs and people driving their ATVs down the street. I like to know I can walk down the street and not be arrested for something dumb and have to pay to get my way out.
My mother used to read me from Bank Street schools, that book, you know, Bank Street school had these early reader books. And my mother would read to my brother and I and we had all those advantages that everyone says you need to be successful in school and I was successful in school.
Anyday, one can walk down the street in a big city and see a thousand people. Any photographer can photograph these people - but very few photographers can make their prints not only reproductions of the people taken, but a comment upon them - or more, a comment upon their lives - or more still, a comment upon the social order that creates these lives.
I don't really feel famous. I'm just an internet guy. I walk down the street and people don't really mess with me too much. I still have my life.
It's cliche, but everybody says, 'We're all one song away,' and it's so true. The difference between me and the guy down the street busking with his guitar case open is just one song.