A Quote by Jon Crosby

We're making this huge changeover from underground to more mainstream audiences. I don't know if we could ever repeat this type of feeling. We're really excited. — © Jon Crosby
We're making this huge changeover from underground to more mainstream audiences. I don't know if we could ever repeat this type of feeling. We're really excited.
You gotta look beyond the mainstream... the mainstream'll drown you, you know? There's always a pulse in the underground that I love. And the pulse in the underground is what keeps heavy metal alive.
In eras past, mainstream culture was blandly, blindly complacent, so underground music was angry and dissatisfied. But now, mainstream culture isn’t complacent, it’s stupid and angry; underground culture reacts by becoming smarter, more serene. That’s not wimpy—it’s powerful and productive.
I was like, 'Oh, let's do a show about the Underground Railroad.' I never come up with great titles, and I thought, 'Underground' is a fantastic title. I got really excited.
There's always going to be a fight between mainstream and underground because the mainstream is a very small bubble, and the underground scene is a very small bubble, and they both see themselves as secret societies.
There are certainly laws and elements that make a film more accessible to mainstream audiences. If you've got Tom Cruise as a strongman, I'm sure it would have larger audiences, but it wouldn't have the same substance.
There's always going to be a fight between mainstream and underground because the mainstream is a very small bubble, and the underground scene is a very small bubble, and they both see themselves as secret societies. But I never saw it that way. I always thought music was open to all things.
The mainstream media today has the biggest disconnect with its audience that it's ever, ever had. And as the disconnect grows and as more and more people distrust them, then the media digs in more and more and says you don't know what you're talking about, you don't know how we do our jobs, you don't know what's important.
I didn't expect my popularity to be a mainstream thing, 'cause I'd only ever been an underground artist.
The thing I stress to my fans is that I've been making big, universally friendly-type music for a long time now. I never really made underground music.
One hopes for that type of result but you just never know what factors will work in your favor. I think I just was concentrating on making the best film I could under the circumstances I was given. That's all I could really do.
The underground always has the best ideas. Sometimes those underground artists transcend and make it to the mainstream, but most of the time, the big guys just steal from us.
If there's a more helpless feeling than trying to reach someone you love who's trapped underground, I don't know it.
The work saved me. I clung to it like flotsam in a boiling sea. It was the only solitary sport that I ever played, or was any good at. It felt natural to sit at my computer and type and type some more. For entire minutes, while writing, I could forget the godawful thing that had happened. I could forget that nothing really mattered anymore. Perhaps, if I set my sights low, I could care again about some small thing. I would type a word. One word. Then another. I started to care about the words, then entire sentences.
There's no point in making something if you're not falling in love with the people you're filming and you want them to really enjoy you being around. It would be weird if, when you're making a film, you don't think it's going to be the best ever or the worst ever - I guess it goes from one feeling to another.
Mainstream's never appealed to me, really. I mean, I've become popular over the years in certain areas. But mainstream, you know, I would rather the mainstream come to me.
It's not about just diversity; it's about authenticity. Audiences are really excited to see more of themselves on the screen.
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