A Quote by Jon Favreau
Thankfully, I have a background as an actor, and you learn how to live in that world of not knowing what's going to happen next.
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In real life we don't know what's going to happen next. So how can you be that way on a stage? Being alive to the possibility of not knowing exactly how everything is going to happen next - if you can find places to have that happen onstage, it can resonate with an experience of living.
It's never one thing it's a lot of things because you learn that show business is one of the most complicated industries in the world. The agreement you make is based on you not knowing what's going to happen next. So, it's a guessing game and you've got to really believe in yourself and know who you are.
You can't say, 'You're a scorer, you score. You rebound, you rebound.' Basketball is more than that. Basketball is knowing the next step, knowing the next play, knowing how to make things happen.
So when people say how horrible it is that Donald Trump is president, well, yeah, but we've faced a lot worse than this and our country went on to go from the world of 'Mad Men' to the world it is today, and that's what's going to happen now. That's what's going to happen in the next 50 years. We're going to be fine.
Life is about not knowing, having to change, taking the moment and making the best of it, without knowing what's going to happen next.
I'm trying to have no regrets. I'm starting to learn about myself and how to live. As an actor, part of the job is accepting your life and learning how to roll with it. I want to live a life where I don't regret any decisions, and if I do, I learn from them.
You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again.
When I see an image in my head that compels me, where there's this mystery about what's going to happen next or could happen next, I'll be intrigued. There are so many scripts that you read, and you know exactly what's going to happen, and there aren't too many where you can't tell within the first 20 pages where it's going.
Part of the adventure in life is not always knowing what's going to happen next, and the next part may be grander than your original plan. The key to enjoying the journey is being open to the unknown.
At what age did I start to think that where I was going was more important than where I already was? When was it that I began to believe that the most important thing about what I was doing was getting it over with? Knowing how to live is not something we have to teach children. Knowing how to live is something we have to be careful not to take away from them.
The line-by-line, sequential, continuous form of the printed page slowly began to lose its resonance as a metaphor of how knowledge was to be acquired and how the world was to be understood. "Knowing" the facts took on a new meaning, for it did not imply that one understood implications, background, or connections. Telegraphic discourse permitted no time for historical perspectives and gave no priority to the qualitative. To the telegraph, intelligence meant knowing of lots of things, not knowing about them.
I began to ask two questions while I was reading a book that excited me: not only what was going to happen next, but how is this done? How is it that these words on the page make me feel the way I'm feeling? This is the line of inquiry that I think happens in a child's mind, without him even knowing he has aspirations as a writer.
One of the worst things about being an actor, besides people being nice to you and getting free stuff all the time - but really, one of the worst things is not knowing what's coming next. You could shoot a pilot, and they could have you on hold for six months waiting to find out what is going to happen with the show, and you're locked into it.
When I first started as an editorial cartoonist, I was terrified on a daily basis. Filling that hole the next day, knowing that tens of thousands of people were going to expect something funny. There is still that pressure, but you kind of learn how to cope with it a little better.
I did a year of 'Guiding Light', and I was going to be a movie actor or a stage actor, but not a TV actor. That just wasn't going to happen. And obviously, things changed so remarkably.
A politician needs the ability to foretell what is going to happen tomorrow, next week, next month, and next year. And to have the ability afterwards to explain why it didn't happen.
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