A Quote by Jon Favreau

Between the theme parks and the movies, the Disney iconography was probably the first set of archetypes that I was exposed to. Walt was able to expose me as a child to the full array of emotions, including fear and sorrow. Those movies and attractions haunted my dreams and made a deep impression on me as a child.
Child pornography is taboo. There are really no such things as snuff films. That's a legend. But movies are like pieces of dreams, and we don't need to go into those dreams. Those dreams are beyond. Child pornography - it's horrible. Human suffering is a horrible thing in real life.
The life's work of Walt Disney and Ray Kroc had come full-circle, uniting in perfect synergy. McDonald's began to sell its hamburgers and french fries at Disney's theme parks. The ethos of McDonaldland and of Disneyland, never far apart, have finally become one. Now you can buy a Happy Meal at the Happiest Place on Earth.
The first thing I did as a child was draw. I wanted to make animated movies. I think Disney's 'Cinderella' was the first movie I ever saw. 'Peter Pan' was the first movie I ever saw in the movie theater. I grew up with 'Dumbo' and 'Pinocchio' and 'Sword in the Stone.' Those were the movies I wanted to make.
Walt Disney World is tribute to the philosophy and life of Walter Elias Disney... and to the talents, the dedication, and the loyalty of the entire Disney organization that made Walt Disney's dream come true. May Walt Disney World bring Joy and Inspiration and New Knowledge to all who come to this happy place... a Magic Kingdom where the young at heart of all ages can laugh and play and learn -- together.
A nice thing about being at Disney is that these movies can develop into a presence in theme parks and become something real, or maybe get a sequel or tell other stories.
There's a lot of magic involved in movies that as a child I really appreciated. So I love bringing my son to set. It reminds me of what I loved doing as a child, and also, as an actor, you have a lot of down time.
I don't find movies interesting. I just want to do the movies that made me interested in getting into movies, and they're few and far between.
The only movies I saw till I was 17 were made by Disney. My parents had this thing. Disney was like, you know, "Ford is a good car. Disney makes good movies that are good for kids and safe."
I have the emotions of a child in the body of a woman. I was rushed into womanhood for the movies. It caused me long moments of unhappiness and doubt.
If it was a choice between making movies and doing nothing, he'd probably still wish me to make movies, So he made me keep going.
I don't expect to be another Walt Disney, but I do get a terrific bang out of being able to say things with pictures. Maybe that means something deep and profound about me - but I doubt it.
My mother said I was always an intense child, a very sensitive child. So that probably helped the emotions to be very present. I was just a big thinker. I would evaluate and analyze and feel and cry and discuss and be angry. All of those emotions were very surface for me.
Marx was fortunate to have been born eighty years before Walt Disney. Disney also promised a child's paradise and unlike Marx, delivered on his promise.
Hal Holbrook was in one of my first television movies when I was about 18 or 19. He'd made such a strong impression on me and a lasting one in terms of what being an actor was.
I grew up loving action movies and films that were set in supernatural, unimaginable places. So I take being a woman in the film industry who is able to do action movies very seriously because I'm making the kind of movies that I wanted to watch as I was a kid and that inspired me and are the reason as to why I am here.
What I fell in love with as a child was 'My Fair Lady,' 'Funny Face,' 'American in Paris,' and 'Singin' in the Rain.' Just perfect movies to me and I was dancing. I started ballet when I was three. And I fell in love with those movies and fell in love with Audrey Hepburn and Leslie Caron.
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