A Quote by Jon Favreau
Of course I danced a lot when I was making 'Swingers.' The swing music scene was big in Hollywood, and I went to places like The Derby. And, after I wrote it and was trying to get it made, I would go every week so I'd be good at dancing.
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I remember the first script I wrote after 'Swingers' was a Western, and I just couldn't get it made.
Las Vegas audiences are swingers. They're drinkers and swingers, and they like to have a good time and party. I never had a bad audience in my career. Sometimes it may take a little longer to get them, you know. But I would get them. I'd get standing ovations... Everything is attitude. It's very important to always like what you're doing.
Once I found my swing, I feel like if I put a good swing on it, I feel like it's got a good chance to go wherever - left, right, center - it doesn't matter. But I'm not just out here going to swing for home runs of anything. I'm just trying to put a good swing on the baseball.
The only time I've ever danced every day was during 'Dancing with the Stars' and in the two-week rehearsal for 'Dirty Dancing,' and that was only to do a particular dance.
Women, as well as men, in all ages and in all places, have danced on the earth, danced the life dance, danced joy, danced grief, danced despair, and danced hope. Literally and metaphorically, by their very lives.
Sometimes in a derby it is not always easy to see a very good game with big quality but the power of one derby means you can see good things happen after one result.
I didn't go to bookshops to buy. That's a little bourgeois. I went because they were civilized places. It made me happy there were people who sat down and wrote and wrote and wrote and there were other people who devoted their lives to making those words into books. It was lovely. Like standing in the middle of civilization.
How to hit home runs: I swing as hard as I can, and I try to swing right through the ball... The harder you grip the bat, the more you can swing it through the ball, and the farther the ball will go. I swing big, with everything I've got. I hit big or I miss big. I like to live as big as I can.
I was very innocent and shielded as a child, so I didn't know a lot about music or dancing. When I was in Primary Six, no one would participate in a talent show, so I decided to go on. When the audience applauded me, I felt euphoric, and I started dancing right after that!
I feel like I have a lot of rhythm because I'm from the DMV. Because you got so many different types of music: Baltimore Club music, Go-Go, then you got the DMV rap music scene, then you got the DMV R&B music scene. It's a lot of music and it's a lot of taste that caters to most.
A lot of the TV shows, they do long hours, and they do a lot of days, and you don't get a lot of time. But the good thing is, if you get one that's made in L.A., or made in a place you want to be, you get to go home every night.
I'm tired of explaining to Hollywood that people would laugh at me, because I go around America making them laugh every week. Nobody would be offended, nobody would think my leather pants are too controversial.
2Pac wrote about life threatening situations after being shot so often, it made it seem like he was obsessed with it. He even wrote music and material that he left behind after he died that made reference to him dying already. I think the significance in that ties back to us knowing that that's our fate.
I've gotten to go to a lot of places that I never would have been able to go and been able to meet a lot of people. And every now and then you'll be doing something and you're like, "I can't believe I get to do this."
When you're going for a big studio comedy, the joke tally better be pretty high, and you better have some big comedy set pieces. That was one of the issues when I was trying to get 'Swingers' made for the first time, which is that there weren't any broad comedy set pieces.
As good as NFL Films is at making players human, it's even better at making players superhuman. No Hollywood studio has made movies that are more grand or gorgeous. Every meticulous shot of 'Hard Knocks' is a vision: every slow-motion spiral, every shaved head steaming like a Manhattan manhole cover.
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