A Quote by Jon Fishman
Nirvana was like that- Nirvana was like the only band to come out of that- it was like the same thing, Seattle was like this whole scene and it was like this big scene that was thrust upon America.
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When you're watching a show like this or watching a movie, sometimes when you have big music in a scene, it tends to push the viewer out of the scene and makes someone feel like an audience member rather than like they're in the scene.
The idea of starting a band because of Nirvana and thereby trying to sound like Nirvana is totally not the case.
I like letting takes play out, beginning to end. I don't like doing pick-ups of one line or another. I like letting the actors discover the flow of the scene, inside the scene as a whole.
When you do a cover it's a way to get attention clicking on something. At the Quiet Music Festival, The Jicks did this Nirvana song, very unrehearsed and not important, but then all the websites were like, "They covered Nirvana!" People like covers of famous people.
I have very eclectic taste in music. I like everything from Nirvana, which is featured in the film, to world music, to orchestral and jazz. For me, the nineties were about Oasis, because I was travelling around Britain when that band exploded onto the music scene.
When it comes to grunge or even just Seattle, I think there was one band that made the definitive music of the time. It wasn't us or Nirvana, but Mudhoney. Nirvana delivered it to the world, but Mudhoney were the band of that time and sound.
The R.E.M and Nirvana successes don't mean much to me except as a potential distraction for bands who want to cash in on the trend. Don't try to sound like someone else. R.E.M and Nirvana don't sound like anyone else.
I blow my own mind like Nirvana, and go the whole nine like Madonna.
Like behind the car or in the pub, to do a scene, a proper nice dramatic scene, it's always a treat. And they're usually shot as one, so you've got a big chunk of dialogue to learn, and you feel like you're working.
Nirvana was happening when I was 14, kind of the perfect age. Growing up in Anacortes, Washington, it was close enough to Seattle that it seemed like a local thing.
The REM and Nirvana successes don't mean much to me except as a potential distraction for bands who want to cash in on the trend. Don't try to sound like someone else. REM and Nirvana don't sound like anyone else.
I really like the Chris-R scene and of course the "you are tearing me apart Lisa" scene. The reason I love the Chris-R scene is because we worked really hard to finish it. It's not just that though, it brings people together. Everyone is one the roof together by the end of the scene. You see the perspectives of the different characters. I feel like with all the connections in this scene that the room connects the entire world
When your 18th, 19, 20 years old like we were at that time, its just like anyone else, you look at like Silverchair and bands like that that are super young and sound extremely derivative of bands that were out at that current moment. As they sounded like 'Nirvana in pajamas' as we called them, we sounded like Bon Jovi and Skid Row and Motley Crue, because we were only influenced by what was out at the time because we were so young
I think there was a lot of working out the arc of how Manny [Daniel Radcliffe] talks. Scene to scene [in the Swiss army Man], if I would start talking a little too well, they would come in and say like, "Hey, you need to [dial back] your ability to speak" - things like that.
I never wanted to start a band to sound like Nirvana.
I listen to all kinds of bands. I like rock music, like, male rock bands. I'm more into that instead of female singers. I like Nirvana, Green Day, System Of A Down. I also like punk rock, and I love bands like Coldplay.
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